The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Disclosure are always a whole load of fun when they’re collaborating with guest vocalists, and now they’ve dropped a track with Anderson Paak, which makes a lot of sense and we’re surprised it hasn’t happened before. With that in mind, it seems like this one has been on the boiler for a while. The group
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You may know Jehnny Beth from Savages, but now, we’re dealing with a solo record which goes by the name of ‘High Resolution Sadness’, and it is absolutely brutal and needs to be played loud enough to leak out of your headphones on the bus. This is from Beth’s second solo album, ‘You Heartbreaker, You’, which is
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What do you do when you’ve amassed an adoring, fevered set of fans and you need to occasionally tell them off? It’s something we’ve seen with Chappell Roan, and so too, with Ethel Cain, who is an underground sensation, now gently bursting overground. Before you even get to the music, you’re aware that there’s been
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Is it Nu Balearica? Is it Nu Age music? Whatever it is, there’s been a spurt in creativity in good vibe music that doesn’t make the demands off anyone as a listener, but is spiritually nourishing and washes over you with that good time feeling. As young DJs and dancers have found a parallel lane
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There’s something very wholesome and pure about Saint Etienne. That’s not to say they’re weedy nerds or anything, but their love of pop is an admirable thing, so the mere mention of them makes you feel all gooey, and that’s to be celebrated. So with that, they’ve shared a new song called ‘Take Me To
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One of the most infectious, dancefloor exploding tracks of the ’90s was the irresistible and utterly immense ‘Jump N Shout’ by Basement Jaxx, headed up by the irrepressible Slarta John who made the song erupt with energy and joy. Sadly, Slarta John – real name Mark James – has passed away, as confirmed by Basement
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Not THE Automatic – this is just Automatic. This lot are from Los Angeles and are signed to Stones Throw. They have a new single out which we think you’ll like. The new song is taken from forthcoming album ‘Is It Now?’, which you’ll be able to hear in full on September 26th from the
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We’re kinda not sure what music is being made by Nourished by Time, and honestly, that’s a good thing in the year of our lord, 2025. It’s so easy to get tripped up by genres, and here, we’ve got a song that has an applaudable free spirit. It’s not pop, it’s not freestyle, it’s not
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Everyone was scrabbling around looking for a password so they could hear Hayley Williams’ new music, we found it, nearly published it before it transpired that she’d removed all the music from her website. What a palaver. Well, good news is that she’s officially released the 17 songs for everyone to hear so we don’t
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Honestly, if a group is dubbed ‘post punk’, there’s a good chance we’ll swerve it as we’re over it already. However, there’s no denying there’s some cool bands that have been called such things, and we’ve got a new track from Ganser which is very good indeed. From Chicago, they’ve got a new song called
STOP HOARDING TUNES
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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