The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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There’s been so many beautiful words written about the Beach Boys since the passing of Brian Wilson, that it feels partially redundant to add more here. However, for all the virtues of these tributes, there’s still a nagging sense of reducing the group to a ‘mere’ surf group, when clearly, they were so much more.
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There’s a lot to be said for the fanciful things said by politicians and generally, you can’t trust them as far as you can throw them. They take credit for all manner of stuff while they had their fingers up their bums, so nothing should surprise us. However, we had to have a little sit
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We’ve been waiting for a new LP from Tchotchke, and now we know there’s one is coming, what with a brace of new songs. The latest new track has a fun glam-boogie beat and is the usual great bubblegum rock that we love so much from the girls. It’s called ‘Poor Girl’ and press play
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The influence of African music on pop culture is obvious, but it really feels like it has been roundly overlooked in full discourse. Either way, the influence is evident on the new track from Ghanaian/American singer, Amaarae’s new single. Melding R&B, dance, afrobeats, pop and more, Amaarae has been turning heads with forward thinking music,
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The Kokoroko collective have shared a fine new track by the name of ‘Just Can’t Wait’, which is taken from the imminent ‘Tuff Times Never Last’ LP, which is due out on July 11th. Not long to wait! “It’s a song with a congregational feeling for the steppers,” says Sheila Maurice-Grey, which is exactly the
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As much as R&B is one of our favourite genres, it’d be remiss of us to not acknowledge that it falls for fashionable tropes a little too often. This is one of the pitfalls for a genre that is so keen to innovate and stay on the cutting edge, as artists and producers indulge in
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Ever noticed how YouTubers and writers do long preambles to essays and pieces in a bid to give the viewer or reader a sense of value for money? Or maybe, to spam the algorithm into coughing up money for a more substantial thing? Well, we’re avoid that and telling you the truth – we don’t
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We’ve wandered into the summer, and that of course, means it is festival season. Alongside the usual hedonism, middle class kids doing some working class tourism, yurts, balloons, and flags, there’s also going to be Palestine. A lot of media outlets are focusing on Kneecap, who have been vocal in their support for Palestine and
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Cass McCombs really does write good songs. He likes a hook, a chorus, a decent melody, and all those things that makes you glad that there’s still people around who like to include all these things in their music. There’s a new album due from him called ‘Interior Live Oak’ which is out in August,
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Aside from the countless, despicable things being undertaken by the US government in recent years, one of the things that really sticks in the craw is just how they claim to be tough and uncancellable, while being the biggest, pearl clutching soft-arses on the planet. Sure, the terminally online left may seem like they’re out
STOP HOARDING TUNES
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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