The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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If you speak Welsh, ‘Y Gath’ is just ‘the cat’, but it is also the title of a new song from Gwenno who hails from Cardiff (and daughter of a Cornish poet, so that’s Celtic Squared). The track is from the forthcoming ‘Utopia’ LP, which is out on Heavenly next week. It features H Hawkline
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Turnstile are just about the biggest punk group on the planet right now, and it seems like there’s still swathes of rock fans who haven’t cottoned on to this fact yet – and maybe that’s how the punks are going to enjoy it, because after today, they’re going to be absolutely everywhere whether they like
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We like pop music, and we like it when it’s made by bands (we also like it when it has been made by a pop factory, we’re not being like that) and that’s what we’ve found with the new single from Yumi Zouma. It’s pop, but stripped down a bit, but anthemic and a whole
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If there’s anybody in the whole world of music we wouldn’t want to get on the wrong side of, it is Pusha T. There’s nobody with an aim truer than King Push, and besides, he seems to genuinely not give a single fuck what anyone thinks. He’s Teflon. Speaking to GQ, he spoke about Kanye.
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It may have been released in February, but the chances of English readers being all. Over Biche’s magnificent album are slim, and an album doesn’t need to be fresh off the grill to get excited about. Fact is, it’s so hard to make original music in 2025, that when a band arrives that sound like
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For fans of ’60s psychedelic rock, the Electric Prunes were always one of the more unique and brilliant groups. Their ‘Underground’ LP captured the eeriness of the West Coast counter-culture scene of the time, and their music endured. From ‘Get Me To The World On Time’ and ‘I Had Too Much To Dream Last Night’,
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We have waxed lyrical about the music of Cheapskate before, and with the new single, we’re going to do it all over again. Cheapskate’s music is everything that you love about noirish Brit jazz, ’70s library music and now, with all the sun-soaked bliss of Mediterranean funk and analogue synth bits. ‘The Sea’ is smooth
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The term ‘scream queen’ gets thrown around a lot, and often semi-unfairly – but there’s no denying the fact that anyone who stumbled out of seeing ‘In A Violent Nature’ knew that, in Andrea Pavlovic, there was a real talent afoot. The emotional maturity which she met such a grisly task, it isn’t surprising that
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For all of the ills of YouTube and it’s relentless algorithm meddling, it’s still one of the best platforms for independent creators doing great things. This video is a mix of some pals hanging out, eating food, free styling, singing, playing tracks and generally being good for the soul. You need to press play on
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Andy Shauf is in a band called Foxwarren and they’ve got a new song out called ‘Deadhead’, and like most things involving Shauf, it’s power-poppy, catchy, fun and all that good stuff. However, you NEED to see the video for the new track because it’s a slice of real oddball silliness. Almost like a Tim
STOP HOARDING TUNES
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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