The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Alison Goldfrapp is one of our most cherished artists, from her work with Orbital in the ’90s, to being a one-woman Electro Glam stomper, to dancefloor queen and witchy, pagan folkie too! She’s just terrific. The good news is that she’s got a new LP coming out in August and it is called ‘Flux’. The
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We genuinely think there’s an argument for Bone Thugs-N-Harmony being the most underrated hip hop group ever. Hugely popular of course, and massively influential, but they’re criminally overlooked in a lot of Hall of Fame chat, for our money. In better news, they’ve just released a new single called ‘Aww Shit’, and even better is
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We’re not trying to be That Guy by getting excited about a DJ playing vinyl and mixing manually, but it is a treat when someone does a cool set the old way. There’s nothing wrong with the USB stick crew, but allow us to feel nostalgic. With that, we just finished listening to a brilliant,
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We’re forever rooting for Kacey Musgraves as she’s just about the freshest voice in country music at the moment, and seemingly is unafraid to march to the sound of her own drum, where a lot of other country musicians bind themselves with musical conservatism. Well, Kacey has signed to Lost Highway Records which has relaunched,
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We have been incredibly lazy when it comes to reminding ourselves to share the tracklisting from the FREE RANGE radio show. We plain forgot that it was a piece of admin we used to do, until we were reminded by a listener. So with that, here’s the latest show for May 2025, featuring a lot
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Jorja Smith has committed herself, it seems, to do whatever the hell she wants, and we’re absolutely strapped in for the ride. From dreamy R&B, to killer UK Garage appearances, and now, absolutely filthy bassline music. To get you up for the weekend, here’s her new track ‘The Way I Love You’, which will punch
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We already told you that the mighty Aesop Rock has got a new LP coming out called ‘Black Hole Superette’, but we’re going to stick with the promo, as he’s got a new track out and he’s ever reliable and wordy and fun. The new track is called ‘Send Help’, and he’s got all his
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“When I was young, I got raped by a bitch twice my age.” The opening line to YG’s recent single ‘2004’ there, to almost zero column inches or thought. While music journalism focused once again on Kanye’s latest implosion, Kneecap’s politics and gamely filling up pages with Korean pop in the hope to grab some
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We’re fast getting obsessed with Turnstile. They’re no ordinary hardcore band, and wear a variety of influences on their sleeves, with a richer sound that simply whacking you over the head with breakdowns (which obviously, is fun in its own right). This new run of music had us wondering if they’d gone a bit Balearic
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There’s no-one quite like Stereolab, so it feels really good to have them back. All your record collector mates will feel at peace and like summer is truly here, now that the groop are releasing records they can name all the influences from. It’s a heartwarming thing and mercifully, the new material is as good
STOP HOARDING TUNES
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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