
One of the greatest DJs who ever lived has sadly left us after a battle with some terrible illness. nfluential Chicago producer and musician DJ Funk has died, aged 54. One of Chicago’s own, Charles Chambers was an innovator who was one of the main shakers in bringing ghetto house to the world and destroyed

Roy Ayers has sadly departed, as confirmed via an announcement from his team. He’d been suffering a long illness. “It is with great sadness that the family of legendary vibraphonist, composter and producer Roy Ayers announce his passing which occurred on March 4th, 2025 in New York City after a long illness.” “He lived a

Whether society at large has completely had it with capitalism and global dominance or not, remains to be seen. However, there’s a number of wars on and the tech bros dominance has seen a small shift in thinking which may blossom into something broader. On both ends of the political spectrum, it is obvious that

NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…

The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…

‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…

One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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