The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Mclusky have a small but devoted fanbase and, rightly so, even if occasionally the reaction to adoration from the band can seem fractious at times. It’s all part of nervous, tense fun, obviously. They’ve announced a new album called ‘The World Is Still Here and So Are We’, which is their first in 21 years.
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Pearl Charles is great. She’s made shimmering ’70s pop, glitterball disco, and cosmic singer-songwritery stuff. It’s the latter that her latest release errs on the side of, and it’s one of her best songs to date! She’s been working with the brilliant Michael Rault on her new music, and ‘Step Too Far’ is a brooding,
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Kanye has been at it recently and a lot of people have been talking about him being off the meds, which illness his brain has, how he’s not been the same since his mother died, and on and on and on and on and on and… It’s obvious that attention is one of the major
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Look, you should already be subscribed to BANDSPLAINING on YouTube. If you’re not, this is your heads-up. The latest video explains Library Music, so if you’ve been jonesing for someone to dissect what it is, what’s good about it, and who it influenced, this is a great primer to get you going. If you’re already
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Remember us telling you about the documentary about Scottish girl groups? We did, y’know? It sounded great didn’t it? Well, you may have thought you wouldn’t be able to watch it without getting in some narrow window of when it was aired at some fun, cool indie cinema somewhere. The good news is that you’ll
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Gracie Abrams has opened a can of worms this week, and that’s fine. Pop stars are supposed to run their mouths occasionally, and everyone else in turn, gets to run theirs. That’s the way pop culture works – it’s a contact sport. Speaking about Taylor Swift, she said: “There’s also nothing that comes close to
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We liked the Waxahatchee album – ‘Tigers Blood’ – a lot, but sadly got into it too late to have it on our end of year lists. Still, good music is still great whenever you hear it! With that, we’re right on time to hear a new track from the same sessions, and its called
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Look, we don’t know a lot about Squid, but you might. Squid feel like one of those bands that people like you probably like. We realise that this sounds like shade, but it’s not. There’s new music to listen to, crucially, and we don’t quite know how to describe it, which in an age of
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Such is the paid-for media churn these days, it almost feels redundant writing about bit single releases. What’s the point in telling you what we think, when you’ve already been alerted to the existence of a song, and listened to it yourself? It all reeks of us trying to vaguely grab some traffic off the
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Instead of shrugging at the inevitability of everything being bad in the world of music, maybe we could all take a few minutes out of our day, to contribute to the future of it. If you want to have your say about the state – and future – of live music, then you’re invited to
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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