The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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It can be fun thinking about alternate realities, where a one decision turned into another. In this instance, it’s John Lennon and Eric Clapton forming a band after The Beatles broke up. Jeez, that would have been one toxic set-up, right? Well, a draft copy of a letter written by Lennon in 1971 to Clapton
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There’s going to be a new version of Band Aid’s ‘Do They Know It’s Christmas?’ out this year and y’know, it’s a song that’s done a lot of good, even if it isn’t a perfect thing. There’s a lot to be said about it, the narrative of the lyrics, how much good is has actually
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Rap beefs are often ugly affairs, but by and large, no-one acts like a total baby. Sure, people may wave the white flag with their tail between their legs, but they don’t snitch about it. However, not all rappers are Drake who, while still dizzyingly popular (don’t doubt that), is really taking this particular Kendrick
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Look, no-one likes to besmirch anyone’s hard work, but when a band has a stratospheric rise and a bunch of massive support gigs with next to no information on them and their rise, in 2024, people are going to get suspicious. So, just like those awful podcasts that hur-de-hur-hur and say “look man, we’re just
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Anyone who knows anything about Jimmy Sommerville knows that he’s The People’s Champ. Always on the right side of history, and just so happens to be the writer of one of the most vital and important songs in pop history – ‘Smalltown Boy’. The song has found itself in a sticky place by people acting
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After the absolutely breathtaking spectacle and culture event of the Kendrick/Drake feud, King Kenny wasn’t quite done. We knew he was planning a Super Bowl Halftime show, which honestly, isn’t likely to be half as good as his Pop Out show back in June where he invited half of Los Angeles on stage with him
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Look, if you’re the kind of bozo that turns their nose up at jazz, look away now. Jeff Parker is a serious musician who likes to play. Now, you might be thinking of overtly worthy music that is meant to challenge and stimulate and all that – and while Parker is no slouch, there is
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While we don’t profess to be experts in the ways of desert rock, and worry that we might be typing out ‘dessert rock’ by accident every time, we know what we like, and we like this new one from Dax Riggs. It’s a fine slab of desert sludge fuzz, and this is apparently Riggs’ first
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French artist Oklou is a new one on us, and y’know, we could pretend that we’ve been all over her music for ages and we’re catching you slow pokes up, but that would be disingenuous. The news we read is that there’s a new album afoot called ‘choke enough’ and that’ll be out in February. We’re
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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