The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Floating Points is from Manchester, so we couldn’t help but notice that their new song shares the name with an old radio station from the city. People of a certain again will remember Piccadilly Key 103, so the fact that this is called ‘Key103’ will fill them with a fizzy nostalgia. Very nice. Of course,
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Channel Tres makes good house music and we’d like to see a DJ soon, please. He’s further proof that Summer 2024 is being completely owned by the West Coast, hailing from Compton. There’s a debut LP out called ‘Head Rush’ and it has a stellar line-up of guesties on it. It’s the usual blend of
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God. Someone else wondering what Balearic means. Look, what we’re saying here is that there’s a chug to this that might sound nice when there’s been some kind of exploring of chemicals. But it’s folk music. The two can go together, and you know it. We’re looking at the new track from Norwood who isn’t
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If you’re a fan of Jon Hopkins and his ambient things, you’re in luck! He’s just shared a preview of the new LP ‘RITUAL’, which we think is meant to be in CAPS, but it shouldn’t be, because it’d be more ambient to have it lower case. Anyway, as this is ambient, we have to
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When Cornershop burned a photo of Morrissey in 1992, everyone should’ve been aware that a legendary band were in ascendence. Every time Tjinder Singh & Co do something, it is our civic duty to yell about it! And so, they’ve made a super fun video and a really cool re-do of their 2018 track ‘Double
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Pop magpie Jim Noir is back again, emerging from a nest of wires and psychedelic hooks, and that’s always good news. He’s going to release ‘Jimmy’s Show 2’ on September 17th, collecting all the best songs from his Patreon bits and bobs, EPs and experiments. If you want to join Noir’s Patreon, you can do
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Here’s a sweet mix from Vero G with Discodelic, and is full to bursting with Latin American gems! Vero G hails from San Francisco, and honestly, has a record collection that’ll make you jealous. Recorded live at the Discodelic store in San Francisco, and this is a channel new to us and we’ll be keeping
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Pop music seems to be veering into the ditch in 2024. Now, this is not to say that it is in the ditch because it sucks, but rather, because there’s a brand of reckless, very silly, hedonistic pop that’s not too concerned with being polite and polished. If this is some kind of brat szn,
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Remi Wolf seems to be someone who thought about putting all her ideas and buoyancy on a tight leash, but soon found out that it was impossible and they all just erupted out of the top of her head. On stage, she’s infectious and with so much energy that it can feel like watching someone
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You already know who Rod Argent is – songwriter extraordinaire, keyboardist, and founder of the achingly wonderful group, The Zombies. Rod is going to immediately retire from the touring life after suffering a stroke, and we’d just like to wish him good health. Argent and the Zombies management team made an announcement, which you can
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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