The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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They’re AM Radio friendly country music, that’s for sure – but Midland sure know how to rock a look. They’re all Nudie suits and big hats and in the slick country universe, they’re about as classic country rock as you can get. The trio have a new single out called ‘Lucky Sometimes’ and will feature
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When we launched THEPOPCORPS, we fully intended to make no money. That was 100% the business model. No sponsorships, no kind editorials in exchange for goods and services from PR companies and record labels. No free tickets. No free albums. You’re more likely to give an honest review when you’re using your own money and
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There’s something in the lizard bit of our brain that just loves a song that sounds like it should be played late and way too loud in a dive bar somewhere. These songs don’t need to reinvent the wheel – they need to be good, honest rock ‘n’ roll, whatever stripe of rock that is.
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Specifically, this version.
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It seems that there’s a bit of a cottage industry around Drugdealer, where anyone related to them in any way is putting out sepia-toned ’70s pop, which is obviously a good thing. Are the returns a wholesale great thing? We dunno, but it’s always worth tuning in for honestly, given the strength of the second
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There’s been a study undertaken that could show how humans first started getting into music as a species, and we were into it first. The study suggests that Madagascan lemurs used music for a variety of purposes, which could give insight in how humans evolved into creating music, but we prefer the early stuff. Co-author
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Look, we don’t quite know what’s happening but we’ll share the news all the same. On Brian Wilson’s Instagram page, it basically says that coming this Friday, is ‘Ding Dang’. We had a little search on Google for ‘Brian Wilson Ding Dang’, and all it came up with was a link to his website which sadly
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Allegra Krieger is new to us, so we won’t pretend we know loads about her and just crib notes from other websites like we do. All we know is that there’s a new single out called ‘Never Arriving’ and its a kind of country tinged indie rock that sounds pretty cool. There’s been releases before,
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There’s going to be a final album from hyper-pop trailblazer SOPHIE, three years on from their untimely death. It’ll be an eponymous affair, and there’s a new song called ‘Reason Why’ which features Kim Petras and BC Kingdom. The album will be released on September 27th, and a statement from SOPHIE’s family reads: “When we,
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There’s always a danger with Kehlani that her brand of R&B reads too much Tumblr. That’s not necessarily a bad thing, but her seam of through-thought can occasionally focus a little heavily on who she’s making eyes at, identity and poor decision making in love and lust. It’s a common complaint of R&B at large,
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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