The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Honey Gentry has featured on these pages before and we’re very into the baroque, creeped out pastoral Americana she’s producing. And so to her take on the Queens of the Stone Age song, ‘Go With The Flow’. Bands don’t normally veer too far from the source material (which is a shame), but on this, the
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Aphex Twin and Warp Records were teasing stuff, and eagle-eyed fans spotted pretty quickly that it was something to do with ‘Selected Ambient Works Vol II’, and as it’s the 30th anniversary imminent, it was obvious there was a new version of it coming out. That’s still good news though, for electronic music heads! This
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In British English, the word ‘duff’ is pretty common parlance. In dictionary jargon, it’s something like ‘adjective INFORMAL: BRITISH 1. of very poor quality’ – you know the score. Outside of Britain, the word may or may not be used – we’ve not checked, but we’re going to assume that at least in the States,
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Compton’s very own, Channel Tres, is back with another slice of sophisticated party house, and in addition to that, there’s going to be a debut LP too, released on a major label because he’s talented like that. The album is called ‘Head Rush’ and you’ll be able to get it on June 28th on RCA,
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Or: Longevity doesn’t automatically get you the big gigs. Without looking at inflation, it does seem that arena shows are disproportionately expensive these days. There’s been a spike in ticket prices in the post pandemic period that leaves a number of fans thinking that they’re priced out of shows. Now, anyone with any cop-on will
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One of France and European pop’s most iconic women has died. Françoise Hardy, who propelled herself to stardom in the ye-ye scene and beyond, passed away after a long battle with a dreadful illness. In her later years, she would campaign for euthanasia in her home country, and her son Thomas Dutronc, left the simple
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Tiny Desk gigs are great and a jewel in the crown of the already wonderful NPR over in the States. They showcase talent old and new and their tastes are right across the board, as they should be. The latest to get excited about is Chaka Khan’s who is obviously one of the greatest to
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Latto’s ‘Sunday Service’ is now an all-star affair now there’s a redo with the million selling Megan Thee Stallion and the mighty Flo Milli. As you’re expect, it’s a huge club ready clunky beat and firebrand cockiness on the mic from all three. An uber charismatic affair as you can imagine. It’s not a game-changer
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The third Electric Pendergrass album has dropped, with more vaporwave-ish synth wibbles and obscure mining of soft breaks and bits. This new one, available to download for free (or at any price you fancy throwing into the hat if you’re feeling generous), is only available from Bandcamp, so if you’re waiting for Spotify, don’t hold
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De La Soul have had their fair share of troubles when it comes to the songs they’ve sampled, who owns their back catalogue and all that murky stuff. It seems that there’s some wiggle room at long last, and now they’re able to enjoy their body of work that they’ve created. With that, there’s a
STOP HOARDING TUNES
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REVIEW / JEFF PARKER / THE WAY OUT OF EASY
Look, if you’re the kind of bozo that turns their nose up at jazz, look away now. Jeff Parker is a serious musician who likes to play. Now, you might be thinking of overtly worthy music that is meant to challenge and stimulate and all that – and while Parker is no slouch, there is…
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DESERT ROCK FROM DAX RIGGS
While we don’t profess to be experts in the ways of desert rock, and worry that we might be typing out ‘dessert rock’ by accident every time, we know what we like, and we like this new one from Dax Riggs. It’s a fine slab of desert sludge fuzz, and this is apparently Riggs’ first…
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OKLOU DEBUT IS COMING
French artist Oklou is a new one on us, and y’know, we could pretend that we’ve been all over her music for ages and we’re catching you slow pokes up, but that would be disingenuous. The news we read is that there’s a new album afoot called ‘choke enough’ and that’ll be out in February. We’re…
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