
“When I was young, I got raped by a bitch twice my age.” The opening line to YG’s recent single ‘2004’ there, to almost zero column inches or thought. While music journalism focused once again on Kanye’s latest implosion, Kneecap’s politics and gamely filling up pages with Korean pop in the hope to grab some

We’re fast getting obsessed with Turnstile. They’re no ordinary hardcore band, and wear a variety of influences on their sleeves, with a richer sound that simply whacking you over the head with breakdowns (which obviously, is fun in its own right). This new run of music had us wondering if they’d gone a bit Balearic

There’s no-one quite like Stereolab, so it feels really good to have them back. All your record collector mates will feel at peace and like summer is truly here, now that the groop are releasing records they can name all the influences from. It’s a heartwarming thing and mercifully, the new material is as good

When Rebecca Lucy Taylor burst out, upwards and in every direction, with the sensation that was ‘Prioritise Pleasure’, it was a refreshing tone of voice which mixed camp winks and nudges in the ribs, with some loud proclamations of womanhood that felt modern, authentic and, perhaps most importantly, witty. While a lot of music aimed

Whether you’re into ace music, football, or dynamite fonts, you’ve probably come across the work of Stanley Chow on your travels. Famed for his love of the beautiful game, Manchester United, and music, Stan’s immediately recognisable style has graced the pages of the New Yorker, alongside fanzines and more. His involvement in the music scene

You’ve probably seen that Kneecap have found themselves on the wrong end of a tongue lashing from Sharon Osborne, what with their opposition to what’s happening currently with the people of Palestine. If we’re all meant to be free speech absolutists in 2025, then if someone screening ‘FREE PALESTINE’ on a big screen hurts your

We’re ALWAYS up for music that klings and klangs, goes boink and rattles in an industrial way. There’s soul in those machines, y’know? And so, to Annie-Claude Deschênes’ new one which ticks all kinds of boxes. It’s techno, for sure, but it’s not the usual whoomph whoomph stuff (which we admittedly like) as it’s got

DJ Magazine have been sharing some ace videos about dance hits with the people who made them. They’re all gold, honestly. This one stars Roni Size talking about the magical ‘Brown Paper Bag’ and what led him to the ‘New Forms’ LP and more. Super interesting, so press play.

George Harrison’s estate have been busy and put out an acoustic version of ‘Give Me Love (Give Me Peace On Earth) (Take 18)’ and now, we get an unreleased version of ‘Be Here Now’ for the anniversary of ‘Living in the Material World’. The LP was basically the album that paid for his Concert for…

Look, it’s not every day you get to write that as a headline, but when you see it as a song title like we did, you’re compelled to find out more. What we were faced with was Elita’s chaotic song that combines cutesy dream pop with shrieking industrialism. Elita is apparently an ‘Instagram model’, but…

Remember when Alessia Cara burst onto the pop scene with the moody and cool ‘Here’? She was just an itty bitty thing then, but she’s growing musically and it’s a good thing. The new song is called ‘(Isn’t It) Obvious’ and it’s nice to see some brackets in a song title, but more importantly, it’s…
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