The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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We’re like everyone when we say we’re interested in things that are genuinely horrible. Not ironically; no humour — just a fascination in how things can go so badly wrong… or weird. If you’re not into upsetting things, this is your warning to stop reading right now. Of course, a lot of people enjoy reading…
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Sopwith Camel ‘Miraculous Hump Returns From The Moon’ ltd coloured vinyl LP reissue pre-order (release date 10th February) Have you heard ‘Fazon’ by Sopwith Camel? It’s utterly fantastic and one of those dreamy, cosmic chuggers that’ll make you want to slowly get ripped to the tits, gently. The good news, if you want to own…
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Want a bit of avant garde absurdism in your pop? You’re in luck. Charlotte Adigéry & Bolis Pupul are a Belgian duo who make the kind of electro-pop we think Grace Jones would like. That Tina Weymouth would love! With elastic-band synth bass, dancefloor ready drum machines, and off-kilter and super sharp lyrics, there’s everything…
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Look, we know it stinks when you liken one band to another, but if music listeners were all ‘I’ll listen to everything thrown at me and I’ll give it all an equal chance because I’M REALLY COOL!’ (which no-one is), we wouldn’t have to do it. Fact is, like a lot of good songs, you…
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Hey Aphex Twin fans! Fancy a bit of drill ‘n’ bass to liven up your various cavities? Well, good news, he’ll be headlining Field Day this summer. You can come to daddy in Victoria Park on August 19th and you’re in for a treat for sure. Never a dull moment with Aphex Twin unless you’ve…
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You know Thomas Bangalter from Daft Punk? Well, he’s announced details of his first official solo album in 20 years, titled ‘Mythologies’. Exciting eh? Big tops-off pumpers and amyl bangers? Well… This was conceived for a ballet which was performed in July 2022 in Bordeaux at the Grand Théâtre. It’s not sounding massively party, is…
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Is it jazz? Is it folk? Is it fusion? Is it (whisper it now) balearic? Whatever it is, it is staggeringly gorgoues and it goes by the name of ‘Nyanser’ and it is by Thomas Almqvist. It was originally released in ’79 on Mistlur Records in Sweden, and it is a groovy, sophisticated number that…
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We’re going to go to through this bit by bit, just to show you how dreadful the reactionary, tabloid press is. The headline says ‘trans rights’ in it too, so you may already be on your haunches. Let us begin with the Daily Mail’s headline: Now Aretha Franklin’s song Natural Woman is deemed OFFENSIVE to…
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Grace Jones is going to be the headliner of the next Bluedot festival, and that’s a great thing. Grace Jones should be headlining more festivals frankly. Of course, she curated Meltdown in ’22, but this time she’ll get to play in front of a load of devotees doing balloons and pills and that just feels…
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You need a lot of nerve and swagger to sample an iconic hip hop track like Grandmaster Flash’s ‘The Message’, but fuck it, it’s over four decades old so I think we’ll all cope. Fact is, on Coi Leray’s new single ‘Players’, it sounds fresh as hell, so we’re all good! The message is a…
STOP HOARDING TUNES
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DAS KOOLIES, MAGNIFICO!
Das Koolies – the band that are Super Furry Animals without Gruff – have more acid fried music out! It’s a mixture of Furry psych and acid house (so both kinds of acid then!) and is called ‘Som Bom Magnifico’ and will feature on the new LP, ‘Pando’, which is out in May. Go. Press…
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JAMIE XX + ERYKAH BADU
Jamie XX has teamed up with Erykah Badu for a day-glo chugger that sounds like it’ll be a staple in the festival sets this summer. Jamie says: “A few years ago, I was playing at a Primavera afterparty in Barcelona with Erykah Badu. The decks stopped working and she just freestyled this incredible acapella performance,…
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SO LONG, MARIANNE
She seemed to live a hundred lives at the same time, and honestly, it seems bizarre that us mere mortals were looking at the same sky she was. Marianne Faithfull – a complete one-off – has left us and we’re all the poorer for it. And where to start? For over six decades, she’s been…
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GIVING TATYANA WHAT SHE’S OWED / IT’S SO OVER
When dance music works best, it’s straddles the line between sleazy, wrecking your shoes, drunk cigs and gritty, and impossibly glamorous and shimmering with fantasy. It worked for disco, it worked for the pop-house boom in the early ’90s, and it’s worked for just about anything to shake your backside with on the weekend. Dance…
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