The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Forget the comebacks of Blur, Suede, Oasis et al – the greatest rock group of the ’90s (and beyond) are coming back – it’s SUPER FURRY ANIMAL TIME! There’s going to be gigs and fizzy solos, head-melting synths and everything you love about SFA! There’ll also be a reissue of Love Kraft too, which is…
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Hannah Jadagu’s a new name to us, but is signed to Sub Pop, which is usually a sign of quality enough to be checking out. Hannah has a new LP coming out soon called ‘Describe’, and you can hear a great new song from it called ‘Gimme Time’, which is an ear-wormy, synthy, soulful thing…
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It’s a bad look when you’re recognising Palestine as a state one minute, but overseeing a system of law that’s trying someone who has been a vocal champion of that same place and the people within it. That’s what’s going down with the UK government and various politicians, who are looking at the terror charges…
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House music is, for the most part, all about the hypnotic swing and MDMA enhancing repetitiveness, maybe with a little vocal hook to keep you singing along. Sometimes however, when House is given the due care and attention it deserves, it can sound like the most expensive thing in the world, with luxurious, modern production,…
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The trap sound has, regrettably, started sounding a bit old hat, leaving young rappers looking elsewhere for inspo. And so, to Redveil, who has a new one out which is a swirly, classic soul sampling track which reminds us of cool Stones Throw stuff from the early ’00s and an echo of Dilla too. A…
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You may or may not have heard of Infinite Coles, but you’ll have heard of their dad. Coles is the child of the Wu Tang’s Ghostface Killah, and they’ve dropped new music which address the relationship between the two. Coles is gay and it seems there’s tension between the two, and mercifully for us music…
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Madonna is returning to dance music, as it has been announced that she’s returning to Warner Records, and notably, coming at us with ‘Confessions Of A Dance Floor Part 2’, which should be out in 2026. Madonna and dance music is a marriage made in heaven, and if she’s going to help bring back French house…
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Brian Eno’s Together for Palestine benefit played out at London’s Wembley Arena, and sincerely, the whole thing felt very similar to the rallies and shows that called for the release of Nelson Mandela during South Africa’s apartheid. During the gathering, there were a number of powerful speakers and performances, and after the show, Massive Attack announced they…
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The Charlatans have always been billed as ‘survivors’, which is fair but belies the group’s ability to shift with the times. While a lot of groups quickly (and understandably) fall into nostalgia, The Charlatans insatiable need to keep their ears open has seen them endure. So with that, a new LP is on the horizon,…
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There’s a new maxim doing the rounds which, once you read it, you can’t really unsee it, and points to why piracy is back. “If streaming isn’t ownership, then piracy isn’t theft.” Piracy went away for a while, with Spotify and Netflix seemingly being the two silver bullets that solved the problem of stealing content.…
STOP HOARDING TUNES
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DAS KOOLIES, MAGNIFICO!
Das Koolies – the band that are Super Furry Animals without Gruff – have more acid fried music out! It’s a mixture of Furry psych and acid house (so both kinds of acid then!) and is called ‘Som Bom Magnifico’ and will feature on the new LP, ‘Pando’, which is out in May. Go. Press…
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JAMIE XX + ERYKAH BADU
Jamie XX has teamed up with Erykah Badu for a day-glo chugger that sounds like it’ll be a staple in the festival sets this summer. Jamie says: “A few years ago, I was playing at a Primavera afterparty in Barcelona with Erykah Badu. The decks stopped working and she just freestyled this incredible acapella performance,…
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SO LONG, MARIANNE
She seemed to live a hundred lives at the same time, and honestly, it seems bizarre that us mere mortals were looking at the same sky she was. Marianne Faithfull – a complete one-off – has left us and we’re all the poorer for it. And where to start? For over six decades, she’s been…
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GIVING TATYANA WHAT SHE’S OWED / IT’S SO OVER
When dance music works best, it’s straddles the line between sleazy, wrecking your shoes, drunk cigs and gritty, and impossibly glamorous and shimmering with fantasy. It worked for disco, it worked for the pop-house boom in the early ’90s, and it’s worked for just about anything to shake your backside with on the weekend. Dance…
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