The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Ever noticed how YouTubers and writers do long preambles to essays and pieces in a bid to give the viewer or reader a sense of value for money? Or maybe, to spam the algorithm into coughing up money for a more substantial thing? Well, we’re avoid that and telling you the truth – we don’t…
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We’ve wandered into the summer, and that of course, means it is festival season. Alongside the usual hedonism, middle class kids doing some working class tourism, yurts, balloons, and flags, there’s also going to be Palestine. A lot of media outlets are focusing on Kneecap, who have been vocal in their support for Palestine and…
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Cass McCombs really does write good songs. He likes a hook, a chorus, a decent melody, and all those things that makes you glad that there’s still people around who like to include all these things in their music. There’s a new album due from him called ‘Interior Live Oak’ which is out in August,…
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Aside from the countless, despicable things being undertaken by the US government in recent years, one of the things that really sticks in the craw is just how they claim to be tough and uncancellable, while being the biggest, pearl clutching soft-arses on the planet. Sure, the terminally online left may seem like they’re out…
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Mavis Staples is great and we should sing her praises every chance we get. There’s nothing she can’t sing or add something to, and from spearheading Southern Soul and gospel, to pallying up with The Band, it’s great she’s still got some surprises left in her. With that, she’s released a cover of Frank Ocean’s…
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Phoenix are great and we especially love their debut album ‘United’, as it basically preempted rock music falling in love with 70s soft rock and 80s production again. Between them and their pals Daft Punk, their love of AOR and wonky Beach Boys LPs paved the way for Yacht Rock’s revival, disco’s renaissance and the…
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We’d need to dedicate a thousand words to the influence, genius, and all round wonder that is Brian Wilson, to pay tribute to him now he’s passed. However, we feel that right now, it’s better to watch Brian being really happy, performing the Smile suite with a band that loves the material as much as…
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When an artist makes certain demands to be taken seriously, more often than not, the knives come out. It may be unfair that the landscape of music journalism can praise one artist for having lofty ambitions, while deriding another for the same thing, but that’s always been the way. We find ourselves with Miley’s new…
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Sly Stone has left the building, leaving behind a life and a career that eclipses most of what everyone else managed to cram in, combined. Seemingly against the odds, he managed to reach the grand old age of 82. His family issued a statement. “It is with profound sadness that we announce the passing of…
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King Princess has announced a new LP called ‘Girl Violence’ and for the kind of fans who like saying that someone’s got them in a chokehold and hipsters who want to yelp parental yelps, this new stuff is going to do the trick by the looks of things. The album is out in September, and…
STOP HOARDING TUNES
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DAS KOOLIES, MAGNIFICO!
Das Koolies – the band that are Super Furry Animals without Gruff – have more acid fried music out! It’s a mixture of Furry psych and acid house (so both kinds of acid then!) and is called ‘Som Bom Magnifico’ and will feature on the new LP, ‘Pando’, which is out in May. Go. Press…
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JAMIE XX + ERYKAH BADU
Jamie XX has teamed up with Erykah Badu for a day-glo chugger that sounds like it’ll be a staple in the festival sets this summer. Jamie says: “A few years ago, I was playing at a Primavera afterparty in Barcelona with Erykah Badu. The decks stopped working and she just freestyled this incredible acapella performance,…
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SO LONG, MARIANNE
She seemed to live a hundred lives at the same time, and honestly, it seems bizarre that us mere mortals were looking at the same sky she was. Marianne Faithfull – a complete one-off – has left us and we’re all the poorer for it. And where to start? For over six decades, she’s been…
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GIVING TATYANA WHAT SHE’S OWED / IT’S SO OVER
When dance music works best, it’s straddles the line between sleazy, wrecking your shoes, drunk cigs and gritty, and impossibly glamorous and shimmering with fantasy. It worked for disco, it worked for the pop-house boom in the early ’90s, and it’s worked for just about anything to shake your backside with on the weekend. Dance…
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