The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Allegra Krieger is new to us, so we won’t pretend we know loads about her and just crib notes from other websites like we do. All we know is that there’s a new single out called ‘Never Arriving’ and its a kind of country tinged indie rock that sounds pretty cool. There’s been releases before,…
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There’s going to be a final album from hyper-pop trailblazer SOPHIE, three years on from their untimely death. It’ll be an eponymous affair, and there’s a new song called ‘Reason Why’ which features Kim Petras and BC Kingdom. The album will be released on September 27th, and a statement from SOPHIE’s family reads: “When we,…
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There’s always a danger with Kehlani that her brand of R&B reads too much Tumblr. That’s not necessarily a bad thing, but her seam of through-thought can occasionally focus a little heavily on who she’s making eyes at, identity and poor decision making in love and lust. It’s a common complaint of R&B at large,…
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We love the Coco & Clair Clair LP (we reviewed it here) for its hyper It Girl meanness and weird party vibe. Well, great news is that they’re back with a new single called ‘Aggy’ and they’re being all aloof and constantly online, but this time, the trap-lite beats have been replaced with a soft…
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One of the finest albums ever recorded is available after years of being hidden away in the shape of the effortlessly wonderful eponymous album from Peru’s, We All Together. Originally released in 1972, featuring some beautiful Wings covers and a load of killer original material, the LP is the greatest Beatle-inspired cuts ever recorded, with…
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Euphoric melancholy is one of the true pillars of pop, giving listeners the chance to dance the pain out of their feet and let all the air leave their body while they joyfully singalong with something that might be upsetting. ABBA were the masters of it, and pretty much the whole of soul music. It’s…
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The ’00s are pure back, so get out the Mcat and Breezers, because it’s time to ruin your fat laces in your trainers and wear too much eye-liner and dance to the new one where Jamie XX and Robyn have teamed up. And it’s a whole load of fun too, don’t you worry about that.…
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Honey Gentry has featured on these pages before and we’re very into the baroque, creeped out pastoral Americana she’s producing. And so to her take on the Queens of the Stone Age song, ‘Go With The Flow’. Bands don’t normally veer too far from the source material (which is a shame), but on this, the…
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Aphex Twin and Warp Records were teasing stuff, and eagle-eyed fans spotted pretty quickly that it was something to do with ‘Selected Ambient Works Vol II’, and as it’s the 30th anniversary imminent, it was obvious there was a new version of it coming out. That’s still good news though, for electronic music heads! This…
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In British English, the word ‘duff’ is pretty common parlance. In dictionary jargon, it’s something like ‘adjective INFORMAL: BRITISH 1. of very poor quality’ – you know the score. Outside of Britain, the word may or may not be used – we’ve not checked, but we’re going to assume that at least in the States,…
STOP HOARDING TUNES
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DAS KOOLIES, MAGNIFICO!
Das Koolies – the band that are Super Furry Animals without Gruff – have more acid fried music out! It’s a mixture of Furry psych and acid house (so both kinds of acid then!) and is called ‘Som Bom Magnifico’ and will feature on the new LP, ‘Pando’, which is out in May. Go. Press…
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JAMIE XX + ERYKAH BADU
Jamie XX has teamed up with Erykah Badu for a day-glo chugger that sounds like it’ll be a staple in the festival sets this summer. Jamie says: “A few years ago, I was playing at a Primavera afterparty in Barcelona with Erykah Badu. The decks stopped working and she just freestyled this incredible acapella performance,…
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SO LONG, MARIANNE
She seemed to live a hundred lives at the same time, and honestly, it seems bizarre that us mere mortals were looking at the same sky she was. Marianne Faithfull – a complete one-off – has left us and we’re all the poorer for it. And where to start? For over six decades, she’s been…
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GIVING TATYANA WHAT SHE’S OWED / IT’S SO OVER
When dance music works best, it’s straddles the line between sleazy, wrecking your shoes, drunk cigs and gritty, and impossibly glamorous and shimmering with fantasy. It worked for disco, it worked for the pop-house boom in the early ’90s, and it’s worked for just about anything to shake your backside with on the weekend. Dance…
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