
Let’s face it – we don’t need to write about the imminent Beyonce tour. We don’t need to mention it at all, because obviously, the Beyhive have alerts set up and publications bigger than this one, with their CEO teams and algorithm jammers, will write about it more prominently. So we’ll be honest and just
Like your country music to have at least tried acid? Well, you’re in luck, as primo psychedelic guitarist Ripley Johnson (of Wooden Shjips and Moon Duo) has a project you might like called Rose City Band. There’s a new LP due called ‘Garden Party’ (the fourth by the band in as many years) and is

We can’t quite pigeonhole the new single from singer/songwriter Lael Neale, but that’s okay. If you’re absolutely desperate for a hook, then we’re picking up some of the great pop that came out of NYC in the ’80s – kinda part punk, but not all OI! and FLOB!, rather, uptempo loftmuzik with Farfisa and cool

The Guardian have written an interesting piece called ‘Are Bands Dead?‘ Basically, it’s about the resurgence of solo acts and all that. Like we said, it’s interesting, but of course bands aren’t dead. There’s loads of good bands knocking about aren’t there? And some of them are really popular. In indie, you’ve got Wet Leg,

Nile Rodgers, still reminding us how many classic songs he wrote and produced even though everyone knows by now, is working with St Vincent and, honestly, that sounds like a marriage made in heaven. Rodgers, of course, has been having something of a resurgence this past few years, contributing to Daft Punk’s big hitters and

Wipeout was a behemoth of a video game, which saw gamers racing anti-gravity vehicles at breakneck speed on the PlayStation. That’s fun and all but that’s not the whole story. See, anyone who remembers it and liked to have their weekends chemically altered, they knew that Wipeout had one of the most banging soundtracks of…

Any excuse to share a banger of a set (and in places, utterly undefinable and gonzo) from one of the finest Frenchmen to ever live, Mr Oizo. There’s big 4/4s, disco, pop, broken electronics, fierce edits and super crunchy synths galore. Fuckin’ magnifique!

Are you one of those people who thinks of festivals as things that belong to rock music still? Well, times have changed. From the ’90s onward, Glastonbury embraced dance music, hip hop and increasingly erred on the side of pop music. Of course, glancing at the line-up for the 2024 show, it’s not like rock…
THERE’S NO MONEY IN THIS GAME ANYMORE, BUT IF YOU WANT TO WRITE SOMETHING FOR THE POP CORPS, YOU ARE WELCOME TO GET IN TOUCH. HAPPY HUNTING.
POP CULTURE IS WORTH TALKING ABOUT.
CONTACT: HOWDYPOPCORPSATGMAILDOTCOM