
BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super

Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album

It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set

When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the

It’s tough out here in these music criticism streets. If you have staff that need paying, you need to get the clicks in so the ad revenue, revenues. Is writing reviews about up-and-coming artists who might be future superstars going to cut it? Well, you have to wait ’til they become famous, and then link

With the internet, rolling news and 360 deals demanding so much of our attention currently, it seems there’s been a reevaluation of ambient music, new age, and pastoral jazz. Keeping that in mind, the lovely people over at Light In The Attic have reissued an absolute gem in Pete Jolly’s legendary ‘Seasons’ LP. This falls

Any excuse to share a banger of a set (and in places, utterly undefinable and gonzo) from one of the finest Frenchmen to ever live, Mr Oizo. There’s big 4/4s, disco, pop, broken electronics, fierce edits and super crunchy synths galore. Fuckin’ magnifique!

Are you one of those people who thinks of festivals as things that belong to rock music still? Well, times have changed. From the ’90s onward, Glastonbury embraced dance music, hip hop and increasingly erred on the side of pop music. Of course, glancing at the line-up for the 2024 show, it’s not like rock…

Listen, this video drop from Kendrick Lamar had over a million views in under an hour, so it’s not like we need to tell you ‘Not Like Us’ summer continues… But here we are. There’s going to be some forensic dissection of this and people going through it frame by frame, so until then, let’s…

Donald Glover doesn’t want to be called Childish Gambino anymore, which is a shame seeing as he got his name from a Wu Tang generator and everyone passed that fact off as new. Not that this is a bad thing – it’s fun sharing pop trivia isn’t it? Anyway, this is the last we’ll hear…
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