
Music is a funny ol’ business, and in the days of streaming, something interesting has happened. Thanks to algorithmic sentiments, it feels like it’s never been harder for smaller artists to reach an audience. Radio play is decided by committees and focus groups, which leaves us with a trace amount of DJs playing whatever they

Well, Spotify have decided the way to fix the broken royalties model is to stop paying small bands. Now, that’s not how they’ll be spinning it, but it’s the reality of the situation. See, Spotify have a problem with ‘noise’ tracks and those generating plays by making ‘non music’. So, to fix that, they’re going

The Chemical Brothers are saying ‘Goodbye’. Not forever, mind you. It’s the name of their new single and as ever, it’s got a really fancy, psychedelic video. They always have ace visuals don’t they? If you’ve seen them live recently, your eyeballs are probably still fizzing like Alka Seltzer in soup. Great craic. There’s also an

Mildlife are an Australian band designed for dancing too. However, it’s also very much music of the head too, as they’ve been dubbed variously as ‘psychedelic jazz fusion’ and ‘prog disco’. If both of those phrases gave you a bit of the ick, don’t worry – this track you’re about to hear is cool, cool shit.

For so many years, library music was only a thing that tapped people’s toes if they were absentmindedly watching TV, as it soundtracked incidental moments on shows and whatnot. However, nerds started valuing the complex pop-jazz moments, the ambient segues, and more. Soon enough, library music was having a renaissance. Matt Berry (who seems to

When Ryan Leslie is on form, he’s hard to beat. From ‘Diamond Girl’ to ‘I-R-I-N-A’, to ‘You’re Not My Girl’ and ‘Addiction’, R-Les was serving up bangers that were big, but should’ve been made even bigger. His production work with other artists was hot stuff too, with the mega ‘Long Way 2 Go’ with Cassie,…

There’s been a lot of chatter around Luke Combs’ hit cover of ‘Fast Car’, a lot of furrowed brows and people wafting their forks pensively at dinner parties, about whether a country singer should be doing a song by a woman of colour, a woman people assume is gay (look, she might be, but she’s…

In the corporate world, there’s this terrible pair of words that people use – “proactive” versus “reactive”. There’s something in it though, because we all know that there’s two types of people in the world. The first is someone who creates a parameter for a fun Spotify playlist. Maybe they come up with a scenario…

Beth Gibbons is one of the good ones. Never needlessly hurried, she’s made incredible music with Portishead, and of course, she’s done other work like the folkie numbers with Rustin Man and Paul Webb. Well, she is back again with her debut solo LP ‘Lives Outgrown’. “As usual it reflects what’s been going on with…
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