The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Hauntology is such a grimly hip phrase at the minute, but sometimes, it just fits so nicely when you’re listening to something that gives you the good willies. With Honey Gentry, it’s the sound of lilting country balladry, delivered via a ouija board. Not to say it’s menacing music, but rather, spectral and otherworldly and…
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If you’ve been looking for that melodramatic, overwrought joy that you’d get from, say, Talk Talk and even Tears For Fears, then you won’t go far wrong here. There’s a track we’re particularly fond of called ‘Miss Yesterday’ (and ‘The Edge‘ is definitely worth your time as well) which is the dreamiest of pop, and…
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Hey Tom Waits fans! Newly remastered bits from the gravel voiced master and the whole thing has been personally overseen by Tom Waits and Kathleen Brennan, according to the press release we’re copying from. We’re looking at the period between ’83 and ’93, which contains some real hot stuff. They’ll be reissued on vinyl, and…
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Pharoah Sanders’ 1977 album ‘Pharoah’ is getting a reissue in a box set from Luaka Bop, which is cool and all, but the real rub is that there’s going to be previously unreleased music, which is great news! It’ll end up on streaming services if you’re not earning box set money, don’t worry. September 15th…
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Are you of a certain age and you fondly recall the days of 4AD Records, where there was a spate of bands melding shoegaze and dance music, with oversized jumpers and even more oversized fringes? Are you a young person who looks back on those days wishing you could have heard these songs as new?…
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You’re not supposed to give them attention, apparently, because that’s all they want. However, fuck that. See, apparently there’s a culture war-a-brewin’, and honestly, it’s 99% people just getting on with their lives and 1% just crying into the seat of their pants, and that’s worth pointing out. There’s two ‘anti woke’ tracks doing the…
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Nashville may well make you thinking of rhinestones and country music, but Nashville is a big place and has way more going on than you might think. And so, to gonzo punks Snõõper who are about to release their debut LP and judging from the track we’re about to share, it’s going to be a…
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For some, UK Garage never went away and, of course, in the underground, there’s been people holding it down for 2 Step, speed garage, or whatever you call it. However, it’s fair to say that we haven’t seen the charts troubled by garage, which is a crying shame – until now! Zayn Malik – the…
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GAIKA – UK electronic music’s hybrid of Basquiat and Prince (no pressure, Gaika) – has a new track out called ‘PIÑATA’ on Big Dada. Always super interesting and often defying categorisation (hence the Basquiat/Prince thing just now) there’s a new LP due in September called ‘Drift’. The new track was made alongside Kidä and is…
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Fall Out Boy have covered Billy Joel and they’ve updated the lyrics. WAIT WHAT! HOW DARE THEY etc etc. Listen, we geddit. And we’re no fans of Fall Out Boy per se, but wait a minute, wait a minute, wait a minute. This is kinda daft fun, and you need to hear Pete Wentz out…
STOP HOARDING TUNES
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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