The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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The wonderful thing about ageing is the acknowledgment of the relentless passing of time. Your knees start hurting. Your sleep is disturbed because you need to get up in the middle of the night to pee. You can end up in a full body brace because your sock was folded slightly oddly in your shoe,…
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Cami Layé Okún is one of the finest and funnest DJs around right now. Playing music from Cuba (and elsewhere, but you need a hook, right?) she’s all about that rhythm and sunshine melody! This is not so much a piece where we need to write a great deal – basically, go follow her on…
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Hip hop has found itself in a funny place lately. Everyone’s broke. There’s been a pandemic. Energy bills are out of control. Prices are going up. It’s difficult to listen to someone talk about how many millions they’ve got hanging off their wrist. It’s tough to stomach listening to someone complain about how lonely they…
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Have you heard of Michael Rault? Well, there’s a good chance he released the finest LP of 2022, if you’re into perfect pop that’s cut with all good things like West Coast 70s music, Paul McCartney’s Wings, ELO (aka Beatles: The Musical), Harry Nilsson etc. If you need more modern recommendations, then file Michael Rault…
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What’s the deal here? A music blog, being launched in a time when blogging is absolutely dead, especially trying to cover music? What’s the point in that? Well, call it a labour of love. Call it foolhardiness. Call it what you want, but the chances of this making any money is basically nil, and thankfully,…
STOP HOARDING TUNES
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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REVIEWING ALL THE SMITHS ALBUMS
To say we’re not fans of The Smiths would be something of an understatement. Seeing as fans of the group fail to take the hint and keep proselytising about them, it might be time to see what the actual deal is. Of course, these records have been listened to in the past, but in the…
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