The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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She seemed to live a hundred lives at the same time, and honestly, it seems bizarre that us mere mortals were looking at the same sky she was. Marianne Faithfull – a complete one-off – has left us and we’re all the poorer for it. And where to start? For over six decades, she’s been
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When dance music works best, it’s straddles the line between sleazy, wrecking your shoes, drunk cigs and gritty, and impossibly glamorous and shimmering with fantasy. It worked for disco, it worked for the pop-house boom in the early ’90s, and it’s worked for just about anything to shake your backside with on the weekend. Dance
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They dress in what looks like a load of moss and bracken, and if we remember rightly, they’ve got a synth made out of a log. They also make furious garage-psych, and are a group not to be trifled with. They have a new song out to herald a new LP called ‘Hard Times Furious
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We haven’t really listened to Viagra Boys, but they’re very popular amongx the punx. They’ve got their new LP out in April, but in the meantime, have a new single out called ‘Man of Meat’. The album will be launched on their own label and will be called ‘Viagr Aboys’, and this new track sounds
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The way Chance the Rapper fell off is a sad thing, but he’s been steadily putting new bits out in a bid to reignite the fervour that accompanied ‘Acid Rap’ and ‘Colouring Book’. Whether or not it was unfair, it is always worth cupping your ear when Chance puts something out, so do exactly that
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Self Esteem is back with a new single called ‘Focus is Power’, and it’s all very uplifting and self-helpy, and honestly, with the level of devoted fanbase she’s got, they’ll probably lap this up. She’s good people, so that’s nice. There’s a new LP due called ‘A Complicated Woman’ with very striking artwork (which you
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The Pill don’t like mullets. They’re done. They’re cooked. Their new single is called ‘Money Mullet’ and is about this fact. They’re another chaotic punkish group from the Isle of Wight (there’s something afoot down there, clearly) and it reminds us of the kind of indie-punk that was a mainstay in the ’90s, causing chaos in
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Marlon Williams is one our favourites, writing music that’s veered from dreamy, ’50 country to hip post-pop – he’s a real treasure that’s for sure, and has the voice of an angel. He’s announced a new LP, sung entirely in the Māori language, and the first track from it is a real beaut. The album
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Mick Jenkins releases are always worth your time, and the good news is that there’s a new track out and it’ll prove exactly that! Chicago’s own has a new freestyle for you to get your chops around called ‘Wars & Rumors’, which could mean that we see a new LP later in the year. Maybe.
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It’s pretty unassuming to have two plastic lawn chairs, sat empty for the cover of your newest LP, but Bad Bunny’s ‘DeBÍ TiRAR MáS FOToS’ isn’t just any album – he has made a career best, just as latin, reggaeton flavoured global pop felt like it may have been on the cusp of waning. The
STOP HOARDING TUNES
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BLK ODYSSY HAS A COOL SONG OUT
Hip hop and R&B has fallen into a small rut lately and a lot of the huge innovation we’ve seen in recent years is mildly lacking at the top end. Well, good news – there’s something new out and it doesn’t sound like it’s been dialled in! BLK ODYSSY has announced an album called ‘Diamonds…
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TINA TURNER, THE REALEST OF THE REAL
“Without Tina Turner we have no Beyonce. We have no Rihanna. We have no generation of Black women performers who transgressed all sorts of musical genres and without Tina Turner, we have no reclamation of Black woman’s sexuality in the context of rock and roll.” “Without Tina Turner, we have a new bereft in terms…
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JULIANA HATFIELD COVERS ELO
You may know Juliana Hatfield as a solo artist making fun records, you may know her from her stints in The Lemonheads or Blake Babies or Some Girls. You may know her from her tributes to Olivia Newton John and The Police. Well, she’s pay homage again with a really fun cover of ‘Don’t Bring…
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PLUNDERPHONICS // IT BELONGS TO EVERYONE
Sampling changed the way people listened to music, where familiar (and often unfamiliar) works could be re-imagined, recycled, spliced, interpolated and chewed up and turned into something all by itself. For years, the musical brain demanded that modernity meant entirely new, but post post-modernism, swathes of people were giddy at the thought of grabbing things…
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