The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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You can’t trust Tyler, The Creator. That’s part of his charm, right? He says he won’t be releasing any new music this year, and then almost out of the blue, a new album comes out and all the GOLF WANG devotees get their multicoloured trousers in a bunch and show the kind of unswerving devotion
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Want to hear a previously unreleased Throbbing Gristle track? Well, Mute are putting a new release out called ‘TG BERLIN’, which is a fancy boxset that charts unreleased work in Berlin, around a series of live events at the Volksbühne in 2005 and 2006. It’ll see the light of day on 6th December, and of course,
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Aminé is one of the more melodic rappers on the scene and when he’s on form, he’s an absolute joy to listen to. There’s new music afoot too, and you can hear two songs from whatever project he’s got planned for everyone. These are his first two songs of the year, which would suggest a
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WHSmith are going to start selling records again and obviously, we’re hoping that they bring back the cool bags they had in the ’70s and ’80s while they’re at it. This is the first time the retailer will be selling vinyl in their stores in decades. Exciting stuff, and proof that the world of LPs
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We all love Spinal Tap – only losers can’t quote huge bits of the movie and singing along to the likes of ‘Stonehenge’ and ‘Gimme Some Money’. Well, if you want the guys stood on your shelf full of fancy things, you’re going to love these new figurines. These figures from Super7 and feature David
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While Kylie might be the UK’s Queen of Disco by repatriation, Sophie Ellis-Bextor is definitely in the conversation for someone who has served our dancefloors very well indeed. And she’s back with a new single which is, of course, aimed squarely at shaking your behinds along with. After the resurgence thanks to ‘Murder On The
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Kate Bush spooks pretty easily, so while it’s okay to get excited at the prospect of new music from her, please don’t frighten her off with over-the-top proclamations and hype she can’t live up to, okay? Cheers, thanks, magic. No-one is listening, are they? She’s said, in an interview with Radio 4, that she’s got
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DJ Magazine have been sharing some ace videos about dance hits with the people who made them. They’re all gold, honestly. This one stars Roni Size talking about the magical ‘Brown Paper Bag’ and what led him to the ‘New Forms’ LP and more. Super interesting, so press play.
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George Harrison’s estate have been busy and put out an acoustic version of ‘Give Me Love (Give Me Peace On Earth) (Take 18)’ and now, we get an unreleased version of ‘Be Here Now’ for the anniversary of ‘Living in the Material World’. The LP was basically the album that paid for his Concert for
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Look, it’s not every day you get to write that as a headline, but when you see it as a song title like we did, you’re compelled to find out more. What we were faced with was Elita’s chaotic song that combines cutesy dream pop with shrieking industrialism. Elita is apparently an ‘Instagram model’, but
STOP HOARDING TUNES
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BLK ODYSSY HAS A COOL SONG OUT
Hip hop and R&B has fallen into a small rut lately and a lot of the huge innovation we’ve seen in recent years is mildly lacking at the top end. Well, good news – there’s something new out and it doesn’t sound like it’s been dialled in! BLK ODYSSY has announced an album called ‘Diamonds…
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TINA TURNER, THE REALEST OF THE REAL
“Without Tina Turner we have no Beyonce. We have no Rihanna. We have no generation of Black women performers who transgressed all sorts of musical genres and without Tina Turner, we have no reclamation of Black woman’s sexuality in the context of rock and roll.” “Without Tina Turner, we have a new bereft in terms…
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JULIANA HATFIELD COVERS ELO
You may know Juliana Hatfield as a solo artist making fun records, you may know her from her stints in The Lemonheads or Blake Babies or Some Girls. You may know her from her tributes to Olivia Newton John and The Police. Well, she’s pay homage again with a really fun cover of ‘Don’t Bring…
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PLUNDERPHONICS // IT BELONGS TO EVERYONE
Sampling changed the way people listened to music, where familiar (and often unfamiliar) works could be re-imagined, recycled, spliced, interpolated and chewed up and turned into something all by itself. For years, the musical brain demanded that modernity meant entirely new, but post post-modernism, swathes of people were giddy at the thought of grabbing things…
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