The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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L’Impératrice are brilliant and pretty much everything they do is that brand of irresistible, smoother than silk, French disco pop. It brings us great joy to say that the new song they’ve quietly put out is exactly that. Now, there’s not a proper video for it yet – only a lyric video – but it
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Recife is the hidden gem in Brazil’s musical heritage. While Rio and Salvador get all the critical praise, Pernambuco has a wealth of super interesting music, with shape-shifting acid folk, gonzo rock, and now we’re looking toward Amaro Freitas who manages to combine that rural and rugged sound with sophisticated metropolitan goodness to make for
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In more ‘what did you think was gonna happen?’ news, the fallout over SXSW and their ties to the US Army continues and, of course, with SXSW being held in Texas, the Texans are of course acting up. If you stick your head out of the window and keen your ear, you may be able
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Metronomy are back, gang! Now, we will be using the plural here because that’s how you talk about bands, but is Metronomy just Joe Mount really? We’re not wholly sure, so we’ll swerve the whole thing. More important is that there’s a new song to listen to called ‘Nice Town’ and it’s really good. They (?)
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The Indigo Girls are one of those hugely significant bands that mean so much to so many, yet, fly under the radar of most rock press, almost invariably because they’re women, and maybe because they make folk rock. They also happen to be gay, and the male gaze doesn’t stretch that far, clearly. The group
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Not every day is a solid news day, and not every day sees something you want to spend the time reviewing. However, other people are doing good stuff and we feel the need to share that, because we’re not the oracle on everything. With that, the always fantastic Bandsplaining have done a smart video on
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The music industry is sparring with TikTok and the whole thing has the vague whiff of when the music industry had a massive brawl with Napster. Now, of course, the scrap with Napster somehow ended up with Spotify, which isn’t exactly a result for people who make music, but consumers are happy enough. TikTok, for
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Once again, we’re talking about the lousy algorithm. For fear of sounding like horrible old-heads who yearn for the past, we do miss the time when we had every opportunity of listening to the music we wanted to, because we were the people off down the shops and trying before we were buying, and then
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To celebrate Lou Reed’s birthday the other day (he would have been 82), Keef Richards decided to do a cute cover of ‘I’m Waiting For The Man’ by The Velvet Underground. It might all feel a bit unnecessary, but it’s nice all told, eh? Besides, Light In The Attic are putting an album out called
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We’re a day late on this, but that doesn’t diminish the quality of this psychedelic, woman focused mix from Jawa Jones. It also doesn’t diminish the wonderful socialist event that is International Women’s Day. Go read up the day’s origins. And yes, there’s an International Men’s Day. It’s in November. Of course, this mix is
STOP HOARDING TUNES
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GOLDFRAPP BACK WITH ACID RAVE
We love Alison Goldfrapp – she can veer from witchy folkie wonderfulness, to synthpop glam dominatrix – and now she’s back, and this time, she’s eyeing up the dancefloor. The new track is called ‘So Hard So Hot’ and she said: “I wanted to do something that had that very clubby, acid-y feeling to it,…
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LAMBRINI GIRLS GO AFTER WHITE VAN DRIVERS
It’s great to hear someone say something directly sometimes. Poetry is all well and good and certainly has its place – but sometimes you just need someone to yell something in someone’s face. So with that, we turn to punks Lambrini Girls (fantastic name for a band, that) who have a new track out called…
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ROBERT SMITH, SWIFTIES AND K-POP VRS TICKETMASTER
K-Pop stans and The Cure might seem like unlikely pals, but along with Taylor Swift’s ‘Swifties’, they’ve all got one common enemy – Ticketmaster. The two pop fanbases are rabid and have been burned by Ticketmaster prices, and the extortionate fees they impose on shows. Add to the scenario, some middle aged people who love…
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LOOKING SUITE ‘A HUNDRED OR A THOUSAND FLOWERS’
‘More Forever’ was a massive Pop Corps favourite, even if it predates the site – languid, psychedelic nu-new age music that had nods toward the dreaded B word Balearic, City Pop, jazz, ’90s ambient and prog. It was improvisational and beautiful, with gently clicking drum machines, Frippertronic-esque guitar noodles, dreamy loops and spiralling synths, with…
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