The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super
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Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album
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It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set
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When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the
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It’s tough out here in these music criticism streets. If you have staff that need paying, you need to get the clicks in so the ad revenue, revenues. Is writing reviews about up-and-coming artists who might be future superstars going to cut it? Well, you have to wait ’til they become famous, and then link
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Lil John is a genius. Let’s first get that on record. His Miami Bass and Crunk work, huge club bangers and scene-stealing guest spots make him one of the most loved MCs. He’s also a super good sport, which only makes us love him more. When Chappelle sent him up with ‘AHWHUT?‘ and ‘OKAAAY‘, John
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Tierra Whack is great, and she’s shared another new track – this one is called ’27 Club’, which is a bit grim, but you’re officially allowed to start getting excited about her imminent LP. All the tunes we’ve heard from ‘WORLD WIDE WHACK’ have been forward thinking, a load of fun and a high bar
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With the internet, rolling news and 360 deals demanding so much of our attention currently, it seems there’s been a reevaluation of ambient music, new age, and pastoral jazz. Keeping that in mind, the lovely people over at Light In The Attic have reissued an absolute gem in Pete Jolly’s legendary ‘Seasons’ LP. This falls
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Kim Gordon is cool and she’s making an unholy racket with her new single ‘I’m A Man’. If you’re looking for classic Sonic Youth, we don’t think you’re going to find it here – it reminds us a little of Atari Teenage Riot, in slo-mo. Lovely stuff. There’s going to be a new LP out
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Lambrini Girls are one of the most popular grot punk bands around right now, and they have a new single out called ‘God’s Country’ which goes after the state of the place we call home, and while it’s about as subtle as a brick in the teeth, you have to admire them for not hiding
STOP HOARDING TUNES
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GOLDFRAPP BACK WITH ACID RAVE
We love Alison Goldfrapp – she can veer from witchy folkie wonderfulness, to synthpop glam dominatrix – and now she’s back, and this time, she’s eyeing up the dancefloor. The new track is called ‘So Hard So Hot’ and she said: “I wanted to do something that had that very clubby, acid-y feeling to it,…
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LAMBRINI GIRLS GO AFTER WHITE VAN DRIVERS
It’s great to hear someone say something directly sometimes. Poetry is all well and good and certainly has its place – but sometimes you just need someone to yell something in someone’s face. So with that, we turn to punks Lambrini Girls (fantastic name for a band, that) who have a new track out called…
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ROBERT SMITH, SWIFTIES AND K-POP VRS TICKETMASTER
K-Pop stans and The Cure might seem like unlikely pals, but along with Taylor Swift’s ‘Swifties’, they’ve all got one common enemy – Ticketmaster. The two pop fanbases are rabid and have been burned by Ticketmaster prices, and the extortionate fees they impose on shows. Add to the scenario, some middle aged people who love…
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LOOKING SUITE ‘A HUNDRED OR A THOUSAND FLOWERS’
‘More Forever’ was a massive Pop Corps favourite, even if it predates the site – languid, psychedelic nu-new age music that had nods toward the dreaded B word Balearic, City Pop, jazz, ’90s ambient and prog. It was improvisational and beautiful, with gently clicking drum machines, Frippertronic-esque guitar noodles, dreamy loops and spiralling synths, with…
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