The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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We were going to write a piece about the music in the brilliant and often bizarre world of I Think You Should Leave. If you’ve not seen it, then half the memes on the internet probably don’t make a lick of sense to you. Go and watch it. Anyway, we said we were going to…
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Hype can be a terrible thing, leaving us plebs feeling like a moment has shot it’s load before you’ve even got a chance to digest the damned thing. In a period where everything has felt frantic, fraught, and fucking shite, we could all do with a dose of something camp and ridiculous to cheer us…
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British Blues legend, prog overlord and axe-master, Tony McPhee from The Groundhogs, has sadly passed away. In a FB post on the group’s page, it said: “We are deeply saddened to announce that 79-year-old guitar and blues legend Tony (TS) McPhee, died peacefully at home today 6th June, from complications following a fall last year.”…
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Not a thing we thought we’d be writing in a headline, but here we are. Fact is, the pair have been spotted out together a bunch, and obviously, men and women couldn’t possibly be platonic friends without bumping uglies in the mind of everyone, so what’s the craic? After posting some photos on Instagram featuring…
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We’re still on holiday, but this tee was too good to not share. If you know Turbo Island, you’ll know that’s the place to get the best music t-shirts when it comes to wit, super fun graphic design, and letting your music nerd flag fly. Silly tees about Italo Disco, Todd Rundgren, Arthur Russell and…
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Pip Blom are cool. We liked that album they did. It might have been the last one. They may have done one since then, we don’t know. It doesn’t matter too much because when you hear someone say that a band is cool, you should go and check them out. Stop pretending you’re too busy…
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Tove Lo, when she’s on form, is a tour de force. There’s not many better euphoric pop songs than ‘Disco Tits’ and, honestly, there’s not many better euphoric pop song titles better than ‘Disco Tits’ either. She’s had a number of belters (and some we’re less keen on, but we won’t police your thoughts by…
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Andrew Gold is a brilliant man and he’s been behind a series of incredible pop songs that are the living embodiment of West Coast perfection. He’s a nepo baby, sure, but we don’t hold it against people who make brilliant things. ‘Thank You For Being A Friend’, ‘Lonely Boy’, ‘Never Let Her Slip Away’, ‘How…
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The English reggae (and related) scene is one of the most musically enriching and fascinating seams of music anywhere in the world. So much amazing music with so much to say, it’s remarkable that much of it is still something of a niche interest in a broader sense. With that, we turn your attention to…
STOP HOARDING TUNES
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GOLDFRAPP BACK WITH ACID RAVE
We love Alison Goldfrapp – she can veer from witchy folkie wonderfulness, to synthpop glam dominatrix – and now she’s back, and this time, she’s eyeing up the dancefloor. The new track is called ‘So Hard So Hot’ and she said: “I wanted to do something that had that very clubby, acid-y feeling to it,…
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LAMBRINI GIRLS GO AFTER WHITE VAN DRIVERS
It’s great to hear someone say something directly sometimes. Poetry is all well and good and certainly has its place – but sometimes you just need someone to yell something in someone’s face. So with that, we turn to punks Lambrini Girls (fantastic name for a band, that) who have a new track out called…
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ROBERT SMITH, SWIFTIES AND K-POP VRS TICKETMASTER
K-Pop stans and The Cure might seem like unlikely pals, but along with Taylor Swift’s ‘Swifties’, they’ve all got one common enemy – Ticketmaster. The two pop fanbases are rabid and have been burned by Ticketmaster prices, and the extortionate fees they impose on shows. Add to the scenario, some middle aged people who love…
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LOOKING SUITE ‘A HUNDRED OR A THOUSAND FLOWERS’
‘More Forever’ was a massive Pop Corps favourite, even if it predates the site – languid, psychedelic nu-new age music that had nods toward the dreaded B word Balearic, City Pop, jazz, ’90s ambient and prog. It was improvisational and beautiful, with gently clicking drum machines, Frippertronic-esque guitar noodles, dreamy loops and spiralling synths, with…
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