The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Janelle Monae is back with some new music after ‘Dirty Computer’ took over the world. Since then, they’ve been branching out a bit, but we write about music and it’s new tunes we’re most interested in. So, the new track is called ‘Float’ and as the title suggests, it’s a pretty dreamy number – so…
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Men I Trust have a bunch of cool songs, so it’s good that they’ve got a new one out. They hail from Canada and release their own stuff and are generally very cool like that. It’s heady, bedroom indie pop, and this new one may be their strongest song to date. It’s called ‘Ring Of Past’…
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The YouTube ‘My Analog Journal’ is a goldmine for great music tip-offs, with a host of guest DJs simply putting ace records on in a number of lovely looking rooms on some nice kit. It’s a simple premise and all the better for it. There’s no Kids TV presenter gubbins that litters so much of…
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Nick Cave has chimed in about songs getting banned, and honestly, he’s talking like someone down the pub without any hysteria or nonsense and it’s nice to hear. As an aside – he’s wearing a lot of theatre cake at the minute isn’t he? It’s making him look like someone’s wearing a Nick Cave rubber…
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Most of us are well aware of the amazing comp/boxset etc ‘Nuggets: Original Artyfacts From The First Psychedelic Era, 1965-1968′, first out in ’72 and basically (alongside a little help from Lester Bangs’ writing) invented garage punk as a genre. The compilation was put together by Lenny Kaye (Patti Smith’s cohort) and it is rightly…
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Paul Hillery’s mixes over on Mixcloud are the stuff of legend if you love groovy and witchy psychedelic folk. His selections switch from dreamlike, to super chuggers, to sometimes evil sounding and such. He’s one of the best and he even did the holy grail of getting a compilation out (vinyl here, if you’re already…
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T-Pain is brilliant. He’s always been brilliant. He can turn his hand to almost anything and yet, there’s foolish people out there who still think he can’t sing and that autotune does all the work. T-Pain has always had the vocal chops and anyone who has seen his Tiny Desk show knows how fantastic and…
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It’s kinda hideous to liken anyone to any of the flag-bearers of Neo Soul, but it is handy when you’re trying to convey that we’re dealing with a modern artist that is able to both look forward with their music, but also use all the rich musical past that exists, especially in soul music. So…
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February 24th is the date to put in your phone calendars if you’re a fan of avant garde, smart as a whip electronica. That’s because two killer Autechre LPs are getting rebooted on vinyl, so you can load up your deck with the good stuff. There’ll be reissues of ‘Confield’ and ‘Draft 7.30’. Both LPs…
STOP HOARDING TUNES
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GOLDFRAPP BACK WITH ACID RAVE
We love Alison Goldfrapp – she can veer from witchy folkie wonderfulness, to synthpop glam dominatrix – and now she’s back, and this time, she’s eyeing up the dancefloor. The new track is called ‘So Hard So Hot’ and she said: “I wanted to do something that had that very clubby, acid-y feeling to it,…
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LAMBRINI GIRLS GO AFTER WHITE VAN DRIVERS
It’s great to hear someone say something directly sometimes. Poetry is all well and good and certainly has its place – but sometimes you just need someone to yell something in someone’s face. So with that, we turn to punks Lambrini Girls (fantastic name for a band, that) who have a new track out called…
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ROBERT SMITH, SWIFTIES AND K-POP VRS TICKETMASTER
K-Pop stans and The Cure might seem like unlikely pals, but along with Taylor Swift’s ‘Swifties’, they’ve all got one common enemy – Ticketmaster. The two pop fanbases are rabid and have been burned by Ticketmaster prices, and the extortionate fees they impose on shows. Add to the scenario, some middle aged people who love…
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LOOKING SUITE ‘A HUNDRED OR A THOUSAND FLOWERS’
‘More Forever’ was a massive Pop Corps favourite, even if it predates the site – languid, psychedelic nu-new age music that had nods toward the dreaded B word Balearic, City Pop, jazz, ’90s ambient and prog. It was improvisational and beautiful, with gently clicking drum machines, Frippertronic-esque guitar noodles, dreamy loops and spiralling synths, with…
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