The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Rose City Band were new to us in 2024 – maybe they’re new to everyone? Whatever the story is, we were immediately charmed by the ’70s West Coast sunshine, jangle pop that they were putting down. The band are led by Ripley Johnson (you maybe saw the name attached to Moon Duo or Wooden Shjips?)…
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There’s no many like Matt Berry. Not to say that he doesn’t work hard for his money, but he certainly leads a charmed life being one of our most beloved actors, but also, singer of fine psychedelic music. He’s tackled acid folk, West Coast loveliness, and he also did a cover LP of TV themes,…
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Anita Bryant may have been nominated for Grammys, landed the gong of being Miss Oklahoma and had a number of hit singles, but that’s not why she’s remembered, now that she’s dead. Bryant was an outspoken campaigner AGAINST gay rights in the USA, under the thin premise of ‘protecting’ children and the usual hackneyed talking…
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Jade Thirlwall continues to be an absolute treat as her solo career continues in the cuntiest of manners. We’ve already sung her praises, wondering if she’s the most interesting popstar we have, and this single only underlines that notion a little harder. She’s got a new single out called ‘IT Girl’ and it’ll be on…
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Oh how times change. Early on, on these pages we wrote that we were really in the mood for a silly, party rapper who didn’t take themselves too seriously. We said we ‘needed’ Ice Spice, not because she was a generational talent, but rather, a cocky, young, irreverent thing who looked kinda cool and made…
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‘Silly Demon’ from Pat’s Soundhouse was one of our favourite LPs last year, but it vanished from Spotify which slightly detracted from our Best Of The Year playlist. We were left cherishing the Bandcamp download in the meantime, with it’s gorgeous pocket symphonies and Pet Sounds-ish ambition and beauty. Since then, there’s been a number…
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Those who know about Emitt Rhodes tend to be a bit evangelical about his music – and rightly so – his bubblegum psychedelic pop is often compared to the mighty Paul McCartney, but that’s because it’s so perfectly formed! Rhodes recorded his eponymous LP at home in the ’70s, and if you’re a fan of…
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Remember how much you all liked that Sonic Boom/Panda Bear record? Well, Panda Bear is back and still great, so you need to hand over your time to listen to the new track ‘Ferry Lady’. Taken from the upcoming LP ‘Sinister Grift’, it’s a lovely slice of acid-infused pop, which is shorthand for experimental, a…
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‘It’s Over’ by Tatyana was one of our favourite songs of 2024, so it is great to report that she’s hit 2025 running at full speed with a new acid banger called ‘What Have You Done For Me Lately?’ With shades of Inner City, this is primo strobe house for the warehouse or the club,…
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No new releases. No news. We’ll have to be patient because we can’t be making stuff up.
STOP HOARDING TUNES
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GOLDFRAPP BACK WITH ACID RAVE
We love Alison Goldfrapp – she can veer from witchy folkie wonderfulness, to synthpop glam dominatrix – and now she’s back, and this time, she’s eyeing up the dancefloor. The new track is called ‘So Hard So Hot’ and she said: “I wanted to do something that had that very clubby, acid-y feeling to it,…
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LAMBRINI GIRLS GO AFTER WHITE VAN DRIVERS
It’s great to hear someone say something directly sometimes. Poetry is all well and good and certainly has its place – but sometimes you just need someone to yell something in someone’s face. So with that, we turn to punks Lambrini Girls (fantastic name for a band, that) who have a new track out called…
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ROBERT SMITH, SWIFTIES AND K-POP VRS TICKETMASTER
K-Pop stans and The Cure might seem like unlikely pals, but along with Taylor Swift’s ‘Swifties’, they’ve all got one common enemy – Ticketmaster. The two pop fanbases are rabid and have been burned by Ticketmaster prices, and the extortionate fees they impose on shows. Add to the scenario, some middle aged people who love…
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LOOKING SUITE ‘A HUNDRED OR A THOUSAND FLOWERS’
‘More Forever’ was a massive Pop Corps favourite, even if it predates the site – languid, psychedelic nu-new age music that had nods toward the dreaded B word Balearic, City Pop, jazz, ’90s ambient and prog. It was improvisational and beautiful, with gently clicking drum machines, Frippertronic-esque guitar noodles, dreamy loops and spiralling synths, with…
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