
Anyone who knows anything about Jimmy Sommerville knows that he’s The People’s Champ. Always on the right side of history, and just so happens to be the writer of one of the most vital and important songs in pop history – ‘Smalltown Boy’. The song has found itself in a sticky place by people acting…

After the absolutely breathtaking spectacle and culture event of the Kendrick/Drake feud, King Kenny wasn’t quite done. We knew he was planning a Super Bowl Halftime show, which honestly, isn’t likely to be half as good as his Pop Out show back in June where he invited half of Los Angeles on stage with him…

Look, we don’t like mentioning Morrissey on here because he sucks, his music stinks, and The Smiths were crap as well. However, he is eminently mockable, and not all music writing (don’t ever call this journalism, for the love of all that’s holy) should be sweetness and light. Often, we don’t even think it needs…

Some things go together like salt and pepper, sweet and sour, peaches and cream. Saying something is musically comforting can sound like you’re dismissing it, but far from the case with a new track from Snoop Dogg and Dr Dre, it sounds exactly like you want it to – soulful samples and West Coast is…

We love Alison Goldfrapp – she can veer from witchy folkie wonderfulness, to synthpop glam dominatrix – and now she’s back, and this time, she’s eyeing up the dancefloor. The new track is called ‘So Hard So Hot’ and she said: “I wanted to do something that had that very clubby, acid-y feeling to it,…

It’s great to hear someone say something directly sometimes. Poetry is all well and good and certainly has its place – but sometimes you just need someone to yell something in someone’s face. So with that, we turn to punks Lambrini Girls (fantastic name for a band, that) who have a new track out called…

K-Pop stans and The Cure might seem like unlikely pals, but along with Taylor Swift’s ‘Swifties’, they’ve all got one common enemy – Ticketmaster. The two pop fanbases are rabid and have been burned by Ticketmaster prices, and the extortionate fees they impose on shows. Add to the scenario, some middle aged people who love…

‘More Forever’ was a massive Pop Corps favourite, even if it predates the site – languid, psychedelic nu-new age music that had nods toward the dreaded B word Balearic, City Pop, jazz, ’90s ambient and prog. It was improvisational and beautiful, with gently clicking drum machines, Frippertronic-esque guitar noodles, dreamy loops and spiralling synths, with…
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