
Music is a funny ol’ business, and in the days of streaming, something interesting has happened. Thanks to algorithmic sentiments, it feels like it’s never been harder for smaller artists to reach an audience. Radio play is decided by committees and focus groups, which leaves us with a trace amount of DJs playing whatever they

Well, Spotify have decided the way to fix the broken royalties model is to stop paying small bands. Now, that’s not how they’ll be spinning it, but it’s the reality of the situation. See, Spotify have a problem with ‘noise’ tracks and those generating plays by making ‘non music’. So, to fix that, they’re going

The Chemical Brothers are saying ‘Goodbye’. Not forever, mind you. It’s the name of their new single and as ever, it’s got a really fancy, psychedelic video. They always have ace visuals don’t they? If you’ve seen them live recently, your eyeballs are probably still fizzing like Alka Seltzer in soup. Great craic. There’s also an

Mildlife are an Australian band designed for dancing too. However, it’s also very much music of the head too, as they’ve been dubbed variously as ‘psychedelic jazz fusion’ and ‘prog disco’. If both of those phrases gave you a bit of the ick, don’t worry – this track you’re about to hear is cool, cool shit.

Some people are already all over this, some are not – but Eddie Chacon was in Charles & Eddie (‘Would I Lie To You?’ ohyeah!) and he’s been releasing really, really brilliant music lately. Like, utterly fantastic AOR/Future Soul/NuYacht brilliance on Stones Throw Records. No lie. With the 2020 album ‘Pleasure, Joy And Happiness’, he…

We’re like everyone when we say we’re interested in things that are genuinely horrible. Not ironically; no humour — just a fascination in how things can go so badly wrong… or weird. If you’re not into upsetting things, this is your warning to stop reading right now. Of course, a lot of people enjoy reading…

Sopwith Camel ‘Miraculous Hump Returns From The Moon’ ltd coloured vinyl LP reissue pre-order (release date 10th February) Have you heard ‘Fazon’ by Sopwith Camel? It’s utterly fantastic and one of those dreamy, cosmic chuggers that’ll make you want to slowly get ripped to the tits, gently. The good news, if you want to own…

Want a bit of avant garde absurdism in your pop? You’re in luck. Charlotte Adigéry & Bolis Pupul are a Belgian duo who make the kind of electro-pop we think Grace Jones would like. That Tina Weymouth would love! With elastic-band synth bass, dancefloor ready drum machines, and off-kilter and super sharp lyrics, there’s everything…
THERE’S NO MONEY IN THIS GAME ANYMORE, BUT IF YOU WANT TO WRITE SOMETHING FOR THE POP CORPS, YOU ARE WELCOME TO GET IN TOUCH. HAPPY HUNTING.
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