
There’s been some palaver about Will Smith using AI to make a show of his look more fun than it apparently was, and while the whole thing is magnificently unimportant in the scheme of things, it did seem a bit fishy. Not to worry though, because while Smith hasn’t spoken about these accusations, he has

Hayley Williams released some music for free on her website, hidden behind a password, then everyone shared the password, and they disappeared, only to reappear on streaming services as singles. Genuinely, it’s all be very fun and off-the-cuff, and a neat change from the rigmarole of incessant album cycles, eras, and seeded promo work. This

Without a note being played, ‘Man’s Best Friend’ had annoyed half the internet thanks to the cover artwork. We’re not here for that, because in Sabrina Carpenter, we’ve got a popstar that’s remember that glittery, camp fun is a thing to rejoice. That’s not to say Carpenter lacks substance, but rather, reading too much into

The impact of ‘Tomorrow Never Knows’ is about as large as sound appearing in movies and TV turning into colour. It’s the song that booted the doors open for rock music. A swirling, technicolour, brain melter of a track, it used tape loops and brilliant imagination to usher in The Beatles psychedelic period, and even

Remember when the United States of America wasn’t nearly as difficult to look at. Obama was president and while guilty of some Politician Shit, at least he seemed capable, wore the title with a sense of responsibility, and could go for weeks without making any scandalous headlines. Back then, Donald Trump was a noisy conspiracy

We’re like everyone when we say we’re interested in things that are genuinely horrible. Not ironically; no humour — just a fascination in how things can go so badly wrong… or weird. If you’re not into upsetting things, this is your warning to stop reading right now. Of course, a lot of people enjoy reading…

Sopwith Camel ‘Miraculous Hump Returns From The Moon’ ltd coloured vinyl LP reissue pre-order (release date 10th February) Have you heard ‘Fazon’ by Sopwith Camel? It’s utterly fantastic and one of those dreamy, cosmic chuggers that’ll make you want to slowly get ripped to the tits, gently. The good news, if you want to own…

Want a bit of avant garde absurdism in your pop? You’re in luck. Charlotte Adigéry & Bolis Pupul are a Belgian duo who make the kind of electro-pop we think Grace Jones would like. That Tina Weymouth would love! With elastic-band synth bass, dancefloor ready drum machines, and off-kilter and super sharp lyrics, there’s everything…

Look, we know it stinks when you liken one band to another, but if music listeners were all ‘I’ll listen to everything thrown at me and I’ll give it all an equal chance because I’M REALLY COOL!’ (which no-one is), we wouldn’t have to do it. Fact is, like a lot of good songs, you…
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