
Maybe it was surprising to see SZA headline Glastonbury, maybe it wasn’t. Fact is, there’s millions of people who adore her work and there’s no-one quite like her, and while some people may wonder why she headed the bill, festivals should be taking little risks like that instead of just booking sure-fire artists. Apparently, there

When we launched THEPOPCORPS, we fully intended to make no money. That was 100% the business model. No sponsorships, no kind editorials in exchange for goods and services from PR companies and record labels. No free tickets. No free albums. You’re more likely to give an honest review when you’re using your own money and
Specifically, this version.

It seems that there’s a bit of a cottage industry around Drugdealer, where anyone related to them in any way is putting out sepia-toned ’70s pop, which is obviously a good thing. Are the returns a wholesale great thing? We dunno, but it’s always worth tuning in for honestly, given the strength of the second

There’s been a study undertaken that could show how humans first started getting into music as a species, and we were into it first. The study suggests that Madagascan lemurs used music for a variety of purposes, which could give insight in how humans evolved into creating music, but we prefer the early stuff. Co-author

Some people are already all over this, some are not – but Eddie Chacon was in Charles & Eddie (‘Would I Lie To You?’ ohyeah!) and he’s been releasing really, really brilliant music lately. Like, utterly fantastic AOR/Future Soul/NuYacht brilliance on Stones Throw Records. No lie. With the 2020 album ‘Pleasure, Joy And Happiness’, he…

We’re like everyone when we say we’re interested in things that are genuinely horrible. Not ironically; no humour — just a fascination in how things can go so badly wrong… or weird. If you’re not into upsetting things, this is your warning to stop reading right now. Of course, a lot of people enjoy reading…

Sopwith Camel ‘Miraculous Hump Returns From The Moon’ ltd coloured vinyl LP reissue pre-order (release date 10th February) Have you heard ‘Fazon’ by Sopwith Camel? It’s utterly fantastic and one of those dreamy, cosmic chuggers that’ll make you want to slowly get ripped to the tits, gently. The good news, if you want to own…

Want a bit of avant garde absurdism in your pop? You’re in luck. Charlotte Adigéry & Bolis Pupul are a Belgian duo who make the kind of electro-pop we think Grace Jones would like. That Tina Weymouth would love! With elastic-band synth bass, dancefloor ready drum machines, and off-kilter and super sharp lyrics, there’s everything…
THERE’S NO MONEY IN THIS GAME ANYMORE, BUT IF YOU WANT TO WRITE SOMETHING FOR THE POP CORPS, YOU ARE WELCOME TO GET IN TOUCH. HAPPY HUNTING.
POP CULTURE IS WORTH TALKING ABOUT.
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