
While Kylie might be the UK’s Queen of Disco by repatriation, Sophie Ellis-Bextor is definitely in the conversation for someone who has served our dancefloors very well indeed. And she’s back with a new single which is, of course, aimed squarely at shaking your behinds along with. After the resurgence thanks to ‘Murder On The…

Kate Bush spooks pretty easily, so while it’s okay to get excited at the prospect of new music from her, please don’t frighten her off with over-the-top proclamations and hype she can’t live up to, okay? Cheers, thanks, magic. No-one is listening, are they? She’s said, in an interview with Radio 4, that she’s got…

Look, it’s not every day you get to write that as a headline, but when you see it as a song title like we did, you’re compelled to find out more. What we were faced with was Elita’s chaotic song that combines cutesy dream pop with shrieking industrialism. Elita is apparently an ‘Instagram model’, but…

We wrote a glowing review of Rebecca Black’s last album. In one of the finest comebacks in pop, she went from being a reviled meme while a young girl performing the rather wonky ‘Friday’ (which honestly, sounds quite charming in the current climate) to making some of the fiercest, funnest pop on the planet. While…

We love Alison Goldfrapp – she can veer from witchy folkie wonderfulness, to synthpop glam dominatrix – and now she’s back, and this time, she’s eyeing up the dancefloor. The new track is called ‘So Hard So Hot’ and she said: “I wanted to do something that had that very clubby, acid-y feeling to it,…

It’s great to hear someone say something directly sometimes. Poetry is all well and good and certainly has its place – but sometimes you just need someone to yell something in someone’s face. So with that, we turn to punks Lambrini Girls (fantastic name for a band, that) who have a new track out called…

K-Pop stans and The Cure might seem like unlikely pals, but along with Taylor Swift’s ‘Swifties’, they’ve all got one common enemy – Ticketmaster. The two pop fanbases are rabid and have been burned by Ticketmaster prices, and the extortionate fees they impose on shows. Add to the scenario, some middle aged people who love…

‘More Forever’ was a massive Pop Corps favourite, even if it predates the site – languid, psychedelic nu-new age music that had nods toward the dreaded B word Balearic, City Pop, jazz, ’90s ambient and prog. It was improvisational and beautiful, with gently clicking drum machines, Frippertronic-esque guitar noodles, dreamy loops and spiralling synths, with…
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