
Cult faves Galaxie 500 have gone and announced a new album of outtakes, B-sides, rarities, and previously unreleased tracks for the uber fans out there amongst you. The album is called ‘Uncollected Noise New York ’88-’90’ and will be available in September on vinyl, CD, tape and digital of course. “I can see why we left…

Floating Points is from Manchester, so we couldn’t help but notice that their new song shares the name with an old radio station from the city. People of a certain again will remember Piccadilly Key 103, so the fact that this is called ‘Key103’ will fill them with a fizzy nostalgia. Very nice. Of course,…

God. Someone else wondering what Balearic means. Look, what we’re saying here is that there’s a chug to this that might sound nice when there’s been some kind of exploring of chemicals. But it’s folk music. The two can go together, and you know it. We’re looking at the new track from Norwood who isn’t…

Pop magpie Jim Noir is back again, emerging from a nest of wires and psychedelic hooks, and that’s always good news. He’s going to release ‘Jimmy’s Show 2’ on September 17th, collecting all the best songs from his Patreon bits and bobs, EPs and experiments. If you want to join Noir’s Patreon, you can do…

We love Alison Goldfrapp – she can veer from witchy folkie wonderfulness, to synthpop glam dominatrix – and now she’s back, and this time, she’s eyeing up the dancefloor. The new track is called ‘So Hard So Hot’ and she said: “I wanted to do something that had that very clubby, acid-y feeling to it,…

It’s great to hear someone say something directly sometimes. Poetry is all well and good and certainly has its place – but sometimes you just need someone to yell something in someone’s face. So with that, we turn to punks Lambrini Girls (fantastic name for a band, that) who have a new track out called…

K-Pop stans and The Cure might seem like unlikely pals, but along with Taylor Swift’s ‘Swifties’, they’ve all got one common enemy – Ticketmaster. The two pop fanbases are rabid and have been burned by Ticketmaster prices, and the extortionate fees they impose on shows. Add to the scenario, some middle aged people who love…

‘More Forever’ was a massive Pop Corps favourite, even if it predates the site – languid, psychedelic nu-new age music that had nods toward the dreaded B word Balearic, City Pop, jazz, ’90s ambient and prog. It was improvisational and beautiful, with gently clicking drum machines, Frippertronic-esque guitar noodles, dreamy loops and spiralling synths, with…
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