The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Hannah Jadagu’s a new name to us, but is signed to Sub Pop, which is usually a sign of quality enough to be checking out. Hannah has a new LP coming out soon called ‘Describe’, and you can hear a great new song from it called ‘Gimme Time’, which is an ear-wormy, synthy, soulful thing
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It’s a bad look when you’re recognising Palestine as a state one minute, but overseeing a system of law that’s trying someone who has been a vocal champion of that same place and the people within it. That’s what’s going down with the UK government and various politicians, who are looking at the terror charges
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House music is, for the most part, all about the hypnotic swing and MDMA enhancing repetitiveness, maybe with a little vocal hook to keep you singing along. Sometimes however, when House is given the due care and attention it deserves, it can sound like the most expensive thing in the world, with luxurious, modern production,
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The trap sound has, regrettably, started sounding a bit old hat, leaving young rappers looking elsewhere for inspo. And so, to Redveil, who has a new one out which is a swirly, classic soul sampling track which reminds us of cool Stones Throw stuff from the early ’00s and an echo of Dilla too. A
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You may or may not have heard of Infinite Coles, but you’ll have heard of their dad. Coles is the child of the Wu Tang’s Ghostface Killah, and they’ve dropped new music which address the relationship between the two. Coles is gay and it seems there’s tension between the two, and mercifully for us music
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Madonna is returning to dance music, as it has been announced that she’s returning to Warner Records, and notably, coming at us with ‘Confessions Of A Dance Floor Part 2’, which should be out in 2026. Madonna and dance music is a marriage made in heaven, and if she’s going to help bring back French house
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Brian Eno’s Together for Palestine benefit played out at London’s Wembley Arena, and sincerely, the whole thing felt very similar to the rallies and shows that called for the release of Nelson Mandela during South Africa’s apartheid. During the gathering, there were a number of powerful speakers and performances, and after the show, Massive Attack announced they
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The Charlatans have always been billed as ‘survivors’, which is fair but belies the group’s ability to shift with the times. While a lot of groups quickly (and understandably) fall into nostalgia, The Charlatans insatiable need to keep their ears open has seen them endure. So with that, a new LP is on the horizon,
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There’s a new maxim doing the rounds which, once you read it, you can’t really unsee it, and points to why piracy is back. “If streaming isn’t ownership, then piracy isn’t theft.” Piracy went away for a while, with Spotify and Netflix seemingly being the two silver bullets that solved the problem of stealing content.
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Such is the music created by French producer Malibu, that critics get all poetic trying to capture the magic of her music. You’ll hear ‘ethereal’ and the like, because Malibu doesn’t make conventional music – but it sure is gorgeous. Malibu has announced her debut LP which will go by the name of ‘Vanities’, and
STOP HOARDING TUNES
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PROBABLY IMAGINARY SONGS WE WANT TO HEAR JUST FOR THE GOSSIP
Sometimes, someone says something and your brain starts racing. It doesn’t matter if they’re talking a load of cobblers or not, you’ve already internally fired off down seventeen different tangents, and circled around the drain six more times, hoping that someone more diligent will make a documentary about it, or a long-form reader, because this…
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DERYA YILDIRIM IS GREAT
Anatolian funk, Turkish psych, whatever you want to call it, has been a super hip and rich seam for record nerds and beat diggers for a little while now, so it was only a matter of time before someone actually Turkish wrestled their music back from the hobbyists and made it for themselves again in…
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UNDERCOVER MCCARTNEY
It’s remarkable, that for a band as well documented as The Beatles, that there’s any surprises left. Yet, there we were with our jaws on the floor watching Peter Jackson’s ‘Get Back’, while Paul McCartney chipped away at a notion until it became the centrepiece of the whole film. Never mind the rooftop gig (great…
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