The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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John Cameron is a British music legend and you’ll definitely know his work knowingly or otherwise. If you’re wondering who he is, then if you’ve watched ‘Kes’, that’s him doing the soundtrack (and what a perfect soundtrack it is). If you’ve listened to Donovan, then he pretty much did the arrangements on all of Donovan’s
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This is 100% going to be an article that rants about the state of Twitter with the incredibly thin premise of being music related, because Doja Cat has said something funny about it. If you’re desperate for a Doja Cat music angle take – yes, she’s been a bit problematic and dim, and her next
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Noname is one of the most prodigiously talented rappers on the planet and wilfully at odds with the rest of the pack, which makes her music such a scintillating prospect. Melding beat poetry with Neo Soul, golden age funk, and a delivery that allows for both self-doubt and self-assurance, she’s been making some of the
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Remember how we all laughed at the influencers when they got duped into the world’s most awful music experience at Fyre Festival? How we all snorted at the dry-ass cheese sandwiches, hell-scapes, bedlam and tall talk from founder Billy McFarland? Well, someone tell the meme-makers and shitposters, because it’s coming back according to McFarland. Maybe
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Fun, sun-soaked piano pop? Thanks to the new one from Bonny Doon, we can shout YES PLEASE! The track is called ‘Let There Be Music’ and it’s the title track from the new LP they’re releasing with ANTI on June 16th. If the rest of the album is anything like this, then we’re sure to
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One of America’s most defining pop voices is Cass Elliot, and we don’t call her ‘mama’ around these parts okay? There’s a decent amount of tragedy around Cass, but we’re not focusing on that right now. Instead, we’re just going to listen to that beautiful voice of hers. You’ve heard this song a million times
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For the last of the Bank Holiday, here’s a great sunshine soul mix from one of the best YouTube tune sharers around – Music For Empty Rooms They’ve shared endless brilliant deep cuts and obscure gems, and this mix will see you right if you’re having a lazy day or sat on the stoop with
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It really has been a high watermark period for African music. Even including the ’70s when Africans were making some of the most culturally significant music on the planet, it didn’t reach the commercial successes that it has in recent years and it almost feels like we’re due a lengthy, thoughtful piece on the whole
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R&B seems to be traversing into Balearic territory lately and we’re very about it. While SZA has the bedroom SensitiveGirl market cornered, it seems the underground is making plays to chug with downbeat tribal house and sunshine chooglers. The latest track that’s made us want to split a couple of yokes with pals is from
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You might know Richard Olson from his stints in The See See and the magic, cosmic country outfit The Hanging Stars – but this time, he’s doing something new with The Familiars. Of course, Olson’s music tends to float toward the psychedelic and we’re happy to report that this LP is no different. In even
STOP HOARDING TUNES
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PROBABLY IMAGINARY SONGS WE WANT TO HEAR JUST FOR THE GOSSIP
Sometimes, someone says something and your brain starts racing. It doesn’t matter if they’re talking a load of cobblers or not, you’ve already internally fired off down seventeen different tangents, and circled around the drain six more times, hoping that someone more diligent will make a documentary about it, or a long-form reader, because this…
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DERYA YILDIRIM IS GREAT
Anatolian funk, Turkish psych, whatever you want to call it, has been a super hip and rich seam for record nerds and beat diggers for a little while now, so it was only a matter of time before someone actually Turkish wrestled their music back from the hobbyists and made it for themselves again in…
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UNDERCOVER MCCARTNEY
It’s remarkable, that for a band as well documented as The Beatles, that there’s any surprises left. Yet, there we were with our jaws on the floor watching Peter Jackson’s ‘Get Back’, while Paul McCartney chipped away at a notion until it became the centrepiece of the whole film. Never mind the rooftop gig (great…
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