The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Like your country music to have at least tried acid? Well, you’re in luck, as primo psychedelic guitarist Ripley Johnson (of Wooden Shjips and Moon Duo) has a project you might like called Rose City Band. There’s a new LP due called ‘Garden Party’ (the fourth by the band in as many years) and is
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We can’t quite pigeonhole the new single from singer/songwriter Lael Neale, but that’s okay. If you’re absolutely desperate for a hook, then we’re picking up some of the great pop that came out of NYC in the ’80s – kinda part punk, but not all OI! and FLOB!, rather, uptempo loftmuzik with Farfisa and cool
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The Guardian have written an interesting piece called ‘Are Bands Dead?‘ Basically, it’s about the resurgence of solo acts and all that. Like we said, it’s interesting, but of course bands aren’t dead. There’s loads of good bands knocking about aren’t there? And some of them are really popular. In indie, you’ve got Wet Leg,
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Nile Rodgers, still reminding us how many classic songs he wrote and produced even though everyone knows by now, is working with St Vincent and, honestly, that sounds like a marriage made in heaven. Rodgers, of course, has been having something of a resurgence this past few years, contributing to Daft Punk’s big hitters and
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If you missed it, Lil Yachty has gone psychedelic. Now, we’re not talking full mid ’70s German progressive cosmic rock psychedelic, so don’t get your hopes up. However, he is spreading his wings away from robo-pop/kindergarten-trap. That’s always fun isn’t it? His first new LP in ages, he’s released ‘Let’s Start Here’ and it’s taking
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When you’re singing along to a song at the top of your lungs, sometimes you don’t know what you’re singing. Sometimes you can be singing the saddest lyrics imaginable, but you’ve not realised because you’re half-cut on a bottle of rum and some floor-drugs, and it’s Friday night. Ever danced to ‘Gimme Gimme Gimme’ by
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We’re not arsed if you already knew about this, because some of us didn’t. Below is a video of Nico (Velvet Underground/Warhol) playing in Preston, and that’s exciting. Nico’s time with the Velvets is well documented, but ever the Bohemian, she moved from romantic partner to country and was generally a nomad going where the
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It really is hard to imagine the shape of pop and soul music without Barrett Strong. While he may not have been the household name that many of his peers were, where would popular music be without his hugely influential and soulful powerhouse that is ‘Money (That’s What I Want)’? There’s more too – he
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Imagine for a second, you’re driving past Abbey Road, and you nearly hit a pedestrian on that famous crossing. Imagine some more, that the pedestrian in question is Paul McCartney. The car in question is a Prius, so it’s kinda funny that he nearly got offed by a green motor. Also, let’s go with the
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We all need cool stuff to read. Finding it in the soup of the algorithm can be tricky, with a bunch of former broadsheet sorts going solo, and trying to flog subscription content on their mailers and whatnot. No harm, no foul – but these things tend to skew toward the po-faced and overly earnest.
STOP HOARDING TUNES
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PROBABLY IMAGINARY SONGS WE WANT TO HEAR JUST FOR THE GOSSIP
Sometimes, someone says something and your brain starts racing. It doesn’t matter if they’re talking a load of cobblers or not, you’ve already internally fired off down seventeen different tangents, and circled around the drain six more times, hoping that someone more diligent will make a documentary about it, or a long-form reader, because this…
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DERYA YILDIRIM IS GREAT
Anatolian funk, Turkish psych, whatever you want to call it, has been a super hip and rich seam for record nerds and beat diggers for a little while now, so it was only a matter of time before someone actually Turkish wrestled their music back from the hobbyists and made it for themselves again in…
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UNDERCOVER MCCARTNEY
It’s remarkable, that for a band as well documented as The Beatles, that there’s any surprises left. Yet, there we were with our jaws on the floor watching Peter Jackson’s ‘Get Back’, while Paul McCartney chipped away at a notion until it became the centrepiece of the whole film. Never mind the rooftop gig (great…
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