The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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We’ve wandered into the summer, and that of course, means it is festival season. Alongside the usual hedonism, middle class kids doing some working class tourism, yurts, balloons, and flags, there’s also going to be Palestine. A lot of media outlets are focusing on Kneecap, who have been vocal in their support for Palestine and
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Cass McCombs really does write good songs. He likes a hook, a chorus, a decent melody, and all those things that makes you glad that there’s still people around who like to include all these things in their music. There’s a new album due from him called ‘Interior Live Oak’ which is out in August,
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Aside from the countless, despicable things being undertaken by the US government in recent years, one of the things that really sticks in the craw is just how they claim to be tough and uncancellable, while being the biggest, pearl clutching soft-arses on the planet. Sure, the terminally online left may seem like they’re out
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Mavis Staples is great and we should sing her praises every chance we get. There’s nothing she can’t sing or add something to, and from spearheading Southern Soul and gospel, to pallying up with The Band, it’s great she’s still got some surprises left in her. With that, she’s released a cover of Frank Ocean’s
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Phoenix are great and we especially love their debut album ‘United’, as it basically preempted rock music falling in love with 70s soft rock and 80s production again. Between them and their pals Daft Punk, their love of AOR and wonky Beach Boys LPs paved the way for Yacht Rock’s revival, disco’s renaissance and the
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We’d need to dedicate a thousand words to the influence, genius, and all round wonder that is Brian Wilson, to pay tribute to him now he’s passed. However, we feel that right now, it’s better to watch Brian being really happy, performing the Smile suite with a band that loves the material as much as
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When an artist makes certain demands to be taken seriously, more often than not, the knives come out. It may be unfair that the landscape of music journalism can praise one artist for having lofty ambitions, while deriding another for the same thing, but that’s always been the way. We find ourselves with Miley’s new
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Sly Stone has left the building, leaving behind a life and a career that eclipses most of what everyone else managed to cram in, combined. Seemingly against the odds, he managed to reach the grand old age of 82. His family issued a statement. “It is with profound sadness that we announce the passing of
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King Princess has announced a new LP called ‘Girl Violence’ and for the kind of fans who like saying that someone’s got them in a chokehold and hipsters who want to yelp parental yelps, this new stuff is going to do the trick by the looks of things. The album is out in September, and
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We are huge fans of Rochelle Jordan, from her early days of dreamy R&B, but moreso now that she’s incorporated luxurious, smart house to the mix. ‘Play With The Changes’ is one of the finest albums released in the last decade, and we’ve been eagerly waiting for another full length release since. Maybe that’s coming,
STOP HOARDING TUNES
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PROBABLY IMAGINARY SONGS WE WANT TO HEAR JUST FOR THE GOSSIP
Sometimes, someone says something and your brain starts racing. It doesn’t matter if they’re talking a load of cobblers or not, you’ve already internally fired off down seventeen different tangents, and circled around the drain six more times, hoping that someone more diligent will make a documentary about it, or a long-form reader, because this…
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DERYA YILDIRIM IS GREAT
Anatolian funk, Turkish psych, whatever you want to call it, has been a super hip and rich seam for record nerds and beat diggers for a little while now, so it was only a matter of time before someone actually Turkish wrestled their music back from the hobbyists and made it for themselves again in…
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UNDERCOVER MCCARTNEY
It’s remarkable, that for a band as well documented as The Beatles, that there’s any surprises left. Yet, there we were with our jaws on the floor watching Peter Jackson’s ‘Get Back’, while Paul McCartney chipped away at a notion until it became the centrepiece of the whole film. Never mind the rooftop gig (great…
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