
Willie Nelson’s career has been a broad and interesting one, so maybe we shouldn’t be surprised that at 91 years young, he’s decided to release a cover version of The Flaming Lips’ ‘Do You Realize?’ from ‘Yoshimi Battles the Pink Robots’. That’s exactly what’s happened in the lead-up to his release of ‘Last Leaf on

We’re pretty excited about the new album from Fievel Is Glauque. Their mix of ’60s jazz pop and gonzo psychedelic electronics is a thing that makes our ears fizz with excitement! They’ve got a brand new song out called ‘Love Weapon’ and it is out right now on Fat Possum. Obviously, it’ll feature on the

Look, no-one knows everything and has heard every song. We only just heard of Scorpions’ ‘Sails of Charon’ and we’re 100% obsessed with it, top to bottom. From the blistering guitar work at the start, to the stank-face funkiness that makes the drummer stick his chin out, to the tiny-ass singer dancing in his heels,

Margo Guryan’s music just keeps getting rediscovered, and with that momentum, a tribute comp has been made called ‘Like Someone I Know: A Celebration of Margo Guryan’, which will see the light of day in November. To whet the appetite, we can now listen to Frankie Cosmos and Good Morning’s version of ‘Take A Picture’,

First off, let us give the band their proper name – Derya Yıldırım & Grup Şimşek – it doesn’t fit nicely in a headline, but whatever, this is one of the best bands on Planet Earth right now, mixing funk and psychedelic rock with Turkish, Anatolian music. We’ve written excitedly about them before. The group

Being honest, FKA Twigs can be a little frustrating musically BUT it is always interesting, and she definitely means it man, so we shouldn’t let our personal tastes get in the way of the sheer enjoyment of having her around. Anyway, there’s a new track called ‘Eusexua’, co-pro’d by Twigs herself with Koreless and Eartheater.

Legend of US roots rock and cosmic country, JD Souther has left the building aged of 78. Souther was best known for co-writing some of the Eagles biggest smashes – ‘Heartache Tonight’ and ‘New Kid In Town’, and he also worked with Linda Ronstadt, Bonnie Raitt, James Taylor, Christopher Cross, and the Chicks. Souther was

Supergrass have announced that they’re going to tour ‘I Should Coco’ in full, but the statement includes a very fun jab at Oasis and the promise of non-Coco hits too. Let us explain. They’re going to celebrate the anniversary of ‘I Should Coco’ which includes the perfect ‘Lenny’, and of course, smash hit ‘Alright’, by

The longest face in pop music is at it again, using the classic grift of being ‘gagged’ and everyone apparently being against them. Seeing as Morrissey has been saying problematic stuff since the mid ’80s, you’ve only yourself to blame for any feelings of disappointment you have as a Smiths fan. While Johnny Marr manages

Cass McCombs really does write good songs. He likes a hook, a chorus, a decent melody, and all those things that makes you glad that there’s still people around who like to include all these things in their music. There’s a new album due from him called ‘Interior Live Oak’ which is out in August,…

Aside from the countless, despicable things being undertaken by the US government in recent years, one of the things that really sticks in the craw is just how they claim to be tough and uncancellable, while being the biggest, pearl clutching soft-arses on the planet. Sure, the terminally online left may seem like they’re out…

Mavis Staples is great and we should sing her praises every chance we get. There’s nothing she can’t sing or add something to, and from spearheading Southern Soul and gospel, to pallying up with The Band, it’s great she’s still got some surprises left in her. With that, she’s released a cover of Frank Ocean’s…

Phoenix are great and we especially love their debut album ‘United’, as it basically preempted rock music falling in love with 70s soft rock and 80s production again. Between them and their pals Daft Punk, their love of AOR and wonky Beach Boys LPs paved the way for Yacht Rock’s revival, disco’s renaissance and the…
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