Category: REVIEWS
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REVIEW / DINA ÖGON / ORION
We’ve talked about our love for Dina Ögon at length before, and now there’s a new LP to talk about, and that’s the salve we…
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BEST ALBUMS OF 2023
End of year round-ups can be a pretty predictable affair, with publications counting on fandoms of massive stars boosting their signal, be it an inflated…
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REVIEW / ANDRE 3000 / NEW BLUE SUN
“I swear, I Really Wanted To Make A “Rap” Album But This Is Literally The Way The Wind Blew Me This Time” If the opening…
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LIKE POWER POP? GET THE NEW BALLARD!
We can never speak for the artist, so it’s always a bit strange likening their music to anyone else’s. However, we’re reasonably confident that saying…
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REVIEW // NONAME / SUNDIAL
One thing that you can always say about Noname is that she’s not a complacent soul. Self-analytical always, but at the same time, tired of…
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REVISITING RIDE’S CARNIVAL OF LIGHT
Even though Ride referred to their 1994 LP ‘Carnival of Light’ as “Carnival of Shite”, and being a departure from their usual jangle of noise…
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PARIS TEXAS / MAKING RAP ROCK A NON DIRTY WORD
Perhaps it’s testament to Outkast that any new genre-blurring rap group that emerges immediately makes us think of them. The latest group who are surely…
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REVIEW // AVA ROCHA / NEKTAR
It’s poor form to liken a new artist to a legend straight off the bat, but there’s a wriggling, unescapable something about Ava Rocha that…
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REVIEW // APHEX TWIN / BLACKBOX LIFE RECORDER
Aphex Twin, we’re happy to say, is at it again. Even though he’s not been especially prolific with sensible, mainstreamish releases, he’s been quite busy…
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REVIEW // TRAVIS SCOTT // UTOPIA
2023 has been a lean year for big time, platinum plated releases, and with the fact that there’s been a sore lack of number ones…
