Category: REVIEWS
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REVIEW // AVA ROCHA / NEKTAR
It’s poor form to liken a new artist to a legend straight off the bat, but there’s a wriggling, unescapable something about Ava Rocha that…
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REVIEW // APHEX TWIN / BLACKBOX LIFE RECORDER
Aphex Twin, we’re happy to say, is at it again. Even though he’s not been especially prolific with sensible, mainstreamish releases, he’s been quite busy…
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REVIEW // TRAVIS SCOTT // UTOPIA
2023 has been a lean year for big time, platinum plated releases, and with the fact that there’s been a sore lack of number ones…
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REVIEW: BLUR // THE BALLAD OF DARREN
Blur surprised everyone with the announcement of new LP ‘The Ballad of Darren’ and there’s a key word in there to get excited about –…
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LIVE // ROISIN MURPHY // TRINITY COLLEGE DUBLIN
It’s kind of annoying to refer to any musician by comparing them to someone else, but there’s this unavoidable thing with disco and dance music…
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LIVE: BONNIE RAITT, BRIDGEWATER HALL, MANCHESTER
Bonnie Raitt is, without doubt, one of the realest to ever do it. With success coming relatively late into her career, what we’ve ended up…
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LIVE: LEMON TWIGS / TCHOTCHKE : NEW CENTURY HALL / MCR
If you haven’t been to New Century Hall in Manchester, you’re missing out on an absolute jewel on the gig circuit – original fittings, mid-century…
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SBTRKT: THE RAT ROAD
When SBTRKT were around last time, they were known for their forward thinking dancefloor chuggers, designed for those kids who weren’t necessarily into dance music…
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WHAT IS WESTERMAN EXACTLY? [A REVIEW OF SORTS]
Thanks to our brains being thoroughly banjaxed by various algorithms, sometimes you stumble across a corner of the internet and find yourself completely disorientated by…
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MARCUS VERGETTE: SCULPTURE MEETS AVANT GARDE
Not everything you listen to is designed for the club or a sugar coated three minute pop-song – sometimes things can be strange, artistic, dark,…
The Pop Corporation 