The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Our new radio show has been uploaded and features music from Argentina, Malawi, Madagascar, the former Yugoslavia, Japan, and more places besides! There’s funky stuff, power pop, new releases including the new one from Tchotchke and a gem from Domenique Dumont! We’d include the tracklisting, but we encourage you to listen to the show and
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The new Cate Le Bon track is out and it’s called ‘Is It Worth It (Happy Birthday)?’ and it’s a moody, psychedelic synth track and, predictably, it’s very good. The accompanying video is left-of-centre, and we spent a good chunk of it worrying about a fun little dog who gets tied to a bollard. We’re
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Tyler dropped a new album (or is it a mixtape? That line is blurred these days). Whatever it is, it is a load of fun and almost made us think that he’s the natural heir to The Neptunes. He’s something of an auteur, and rap always needs those. One thing we learned is that we
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The amount of praise we throw at Tchotchke must make some people wonder if we’re on the payroll or something, but rest assured, we’re just big fans. And luckily for us and everyone else, there’s yet more music out in the shape of the new song ‘Now I Love You’. This one is a drumless,
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One of our favourite illustrators on the planet right now is the supremely talented and unique Carly Jean Andrews. Based out on the West Coast of the United States, she’s been winning hearts with her bold, brilliant art for a while now. Her work touches on a host of things, including complex, ’70s inspired typeface
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Questioning the net value of new technologies is always a worthwhile endeavour, and of course, artificial intelligence is the latest hot topic on everyone’s lips because, on the surface, it’s a technological miracle – but it comes with concerns. The scraping of other people’s words, art, music and the rest, is definitely stealing rebadged as
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Pastoral psych group Whitney have announced a new album, called ‘Small Talk’ and the good news is that there’s a new song to listen to which sounds comfortingly like a Whitney song should sound. The new album will be available on November 7th, and you know exactly where to go if you want to find
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Massive Attack have been very vocal about the situation with Gaza – the group have refused to play in Israel since the late ’90s. With that in mind, they have announced an alliance comprised of musicians, hitting out against “intimidations from within” the music business. On social media, they shared a statement about an alliance of
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One of the most wonderful things about The Charlatans is their ability to breathe and grow, when many of their peers plough a familiar trough, and rely largely on nostalgia. Not so this lot, who have gone through ’90s psychedelia and indie-dance, to sun-soaked Californian synthetics, to rootsy rock, to Balearic, to post punk, and
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If you’ve been reading our words for a while, you’ll know how much we love the music of Dora Morelenbaum. Her ‘Pique’ album is one of our favourite records, and is a modern Brazilian classic. Read our review here. Well, Dora has a new video out for the swooning, groovy ‘Não Vou Te Esquecer’, and
STOP HOARDING TUNES
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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