The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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The release of Justin Bieber’s ‘SWAG’ album was, for most, a surprise. Not least because of the absence of promotional materials released in the build-up to it, but in part, it was remarkable that he’d even been working on anything. For those not terminally swirling around Bieber’s plughole for every morsel of information, he’d only
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People who write about music, overthink music, read books and websites about music, devour music documentaries and go on Wikipedia deep-dives, are not your average music listener. Don’t read that as ‘better’, rather, atypical. Think about it – there’s people out there who saw the Oasis reunion, but were completely unaware that Liam Gallagher just
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Rock n roll is a perilous business at the best of times, what with the circus life trying to get you on the drink, drugs and a variety of sexually transmitted diseases. Spare a thought then, for poor ol’ Suki Waterhouse. The singer, songwriter and actor took to social media this week, and informed her
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Rochelle Jordan started off as a woozy LoFi(ish) R&B singer, but since pivoting toward a modern take on Chicago House, she’s absolutely took off like a rocket! Seductive, smart, fun, classy – pretty much all of her releases have been top-tier. With that, she’s announced a new LP called ‘Through The Wall’, which we’ll be
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Okay, it’s not quite new Metronomy, but we had to hook you in somehow. What we have here is a super fun remix of a Metronomy track from 1-800 GIRLS, which sounds like it should start cropping up on the dancefloors around the place, all things being fair. This is a remix of ‘Salted Caramel
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One of our favourite things is a notification on a new release from DJ Sabrina The Teenage DJ – from swirling house, to robo-teen drama pop, to an almost Boards of Canada-esque way of creating music that feels both alien and familiar, DJSTTDJ is always worth tuning into. The reference points in the music are
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Everyone’s an Oasis fan these days, now they’ve got back together and either reminded people with greying sides of the summers of their youth, or indeed, giving the young ‘ins a chance to see what the Gallagher brothers are like on stage. Of course, not literally everybody is an Oasis fan and – this writer
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It’s been well over a decade since we last got to look forward to a new full release from Clipse, and here we are in 2025 with ‘Let God Sort ‘Em Out’ – with the pair backed by Pharrell and a host of high quality features, for a release that barely needed any publicity push.
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Spies, the Falklands war, Thatcher, Reagan, and a punk band splicing tapes to create a storm to live up to their anarcho legend. If you haven’t heard the story of how Crass caused huge trouble for right wing authoritarian during the Cold War, you need to get on this video right now. Press play.
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You may know Gulp via your love of the Super Furry Animals. While SFA seem to be on an indefinite hiatus, the assorted members have released solo records, Das Koolies music and, in the shape of Guto Pryce, his Gulp work with Lindsey Leven is probably as good as anything for Furryworld. Channelling German prog,
STOP HOARDING TUNES
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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