The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Mavis Staples is great and we should sing her praises every chance we get. There’s nothing she can’t sing or add something to, and from spearheading Southern Soul and gospel, to pallying up with The Band, it’s great she’s still got some surprises left in her. With that, she’s released a cover of Frank Ocean’s
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Phoenix are great and we especially love their debut album ‘United’, as it basically preempted rock music falling in love with 70s soft rock and 80s production again. Between them and their pals Daft Punk, their love of AOR and wonky Beach Boys LPs paved the way for Yacht Rock’s revival, disco’s renaissance and the
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We’d need to dedicate a thousand words to the influence, genius, and all round wonder that is Brian Wilson, to pay tribute to him now he’s passed. However, we feel that right now, it’s better to watch Brian being really happy, performing the Smile suite with a band that loves the material as much as
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When an artist makes certain demands to be taken seriously, more often than not, the knives come out. It may be unfair that the landscape of music journalism can praise one artist for having lofty ambitions, while deriding another for the same thing, but that’s always been the way. We find ourselves with Miley’s new
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Sly Stone has left the building, leaving behind a life and a career that eclipses most of what everyone else managed to cram in, combined. Seemingly against the odds, he managed to reach the grand old age of 82. His family issued a statement. “It is with profound sadness that we announce the passing of
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King Princess has announced a new LP called ‘Girl Violence’ and for the kind of fans who like saying that someone’s got them in a chokehold and hipsters who want to yelp parental yelps, this new stuff is going to do the trick by the looks of things. The album is out in September, and
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We are huge fans of Rochelle Jordan, from her early days of dreamy R&B, but moreso now that she’s incorporated luxurious, smart house to the mix. ‘Play With The Changes’ is one of the finest albums released in the last decade, and we’ve been eagerly waiting for another full length release since. Maybe that’s coming,
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Cate Le Bon is not only prolific, but she’s also one of the more unique artists around, so it is definitely good news that she’s announced a new album. And there’s a song to listen to, taken from it, which you can check below. The LP is out via the excellent Mexican Summer, and features
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A new satirical music genre just dropped called ‘Co-Worker Music’ and you’re probably wondering what that is… or maybe you just intuitively know exactly what it is… either way, have we got something for you! Co-worker music is also called ‘NPC Music’, and it’s all very glib and a bit sniffy, but that’s okay –
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Manchester’s gloom glam merchants Deaf Whip have a new single out called ‘Cherry Lotion’, and looks like they’ve got themselves on a cool little label too – notably, the ace Sour Grapes who have been pushing psychedelic rock to all and sundry for a while now. A great fit. Apparently this was recorded in part
STOP HOARDING TUNES
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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