The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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DJ Magazine have been sharing some ace videos about dance hits with the people who made them. They’re all gold, honestly. This one stars Roni Size talking about the magical ‘Brown Paper Bag’ and what led him to the ‘New Forms’ LP and more. Super interesting, so press play.
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George Harrison’s estate have been busy and put out an acoustic version of ‘Give Me Love (Give Me Peace On Earth) (Take 18)’ and now, we get an unreleased version of ‘Be Here Now’ for the anniversary of ‘Living in the Material World’. The LP was basically the album that paid for his Concert for
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Look, it’s not every day you get to write that as a headline, but when you see it as a song title like we did, you’re compelled to find out more. What we were faced with was Elita’s chaotic song that combines cutesy dream pop with shrieking industrialism. Elita is apparently an ‘Instagram model’, but
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Remember when Alessia Cara burst onto the pop scene with the moody and cool ‘Here’? She was just an itty bitty thing then, but she’s growing musically and it’s a good thing. The new song is called ‘(Isn’t It) Obvious’ and it’s nice to see some brackets in a song title, but more importantly, it’s
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We were watching an old clip of Motorhead playing on Top of the Pops, and that’s a fun thing all by itself… but someone else sprang out at us While the assembled crowd seemed mildly bewildered at the sight of adrenaline filled rock n roll in the studio, to the right of the stage in
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We wrote a glowing review of Rebecca Black’s last album. In one of the finest comebacks in pop, she went from being a reviled meme while a young girl performing the rather wonky ‘Friday’ (which honestly, sounds quite charming in the current climate) to making some of the fiercest, funnest pop on the planet. While
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Here’s our latest radio show, with music from Mexico, Mauritius, Poland, Algeria, Brazil, Germany, Cameroon, new bands, older ones… it’s great
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‘Try Me’ by Dej Loaf was one of the best underground hip hop smashes when it was released back in 2014, and other hits followed. However, Dej kinda vanished for a while, quietly slipping away and presumably recalibrating. It seemed that, for all intents and purposes, she was done with The Industry. Well, lately, she’s
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The folk tradition is something that is always alive and well, and concerning The Unthanks, ever more so. Good news then, that they have a new double album coming out called ‘The Unthanks in Winter’. Appropriately you’ll be able to get hold of it and hear it on November 29th and there’s a song you
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Amyl and the Sniffers have a new video out and there’s a lot of nudity in it. It’s the kind of video that, if you’re getting your knickers in a twist about it, then you’re the kind of uptight tool that could probably do with a bit of skinny dipping to sort yourself out. First,
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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