The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Composer Kaitlyn Aurelia Smith has teamed up with the ever loveable Joe Goddard from Hot Chip and good things are happening. It is taking the form of a new EP called ‘Neptunes’ which will be out in November. As ever, we’ve got something for you to listen to so you’re not just sat there wondering
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Check this great sounding thing out – there’s a new documentary called ‘Since Yesterday: The Untold Story of Scotland’s Girl Bands’, which will look at some of the all-female groups that have come from Scotland over the last half a century. Of course, Scotland has had loads of great groups and many of them sorely
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A lot of shoegaze can be a little deferential to the late ’80s/early ’90s sound, which is nice and all, but it is better when someone puts something of a new twist on it. And so to Texas, with the group Trauma Ray who have a new song out called ‘Spectre’ which switches from the
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Hey! We’ve done our latest radio show and it features some great new music that you may or may not have heard on these very pages before. Almost certainly you haven’t heard all of it though. We think we’ve found the new Arthur Russell – how about that for a bold claim? Old stuff, new
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Willie Nelson’s career has been a broad and interesting one, so maybe we shouldn’t be surprised that at 91 years young, he’s decided to release a cover version of The Flaming Lips’ ‘Do You Realize?’ from ‘Yoshimi Battles the Pink Robots’. That’s exactly what’s happened in the lead-up to his release of ‘Last Leaf on
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We’re pretty excited about the new album from Fievel Is Glauque. Their mix of ’60s jazz pop and gonzo psychedelic electronics is a thing that makes our ears fizz with excitement! They’ve got a brand new song out called ‘Love Weapon’ and it is out right now on Fat Possum. Obviously, it’ll feature on the
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Look, no-one knows everything and has heard every song. We only just heard of Scorpions’ ‘Sails of Charon’ and we’re 100% obsessed with it, top to bottom. From the blistering guitar work at the start, to the stank-face funkiness that makes the drummer stick his chin out, to the tiny-ass singer dancing in his heels,
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Margo Guryan’s music just keeps getting rediscovered, and with that momentum, a tribute comp has been made called ‘Like Someone I Know: A Celebration of Margo Guryan’, which will see the light of day in November. To whet the appetite, we can now listen to Frankie Cosmos and Good Morning’s version of ‘Take A Picture’,
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First off, let us give the band their proper name – Derya Yıldırım & Grup Şimşek – it doesn’t fit nicely in a headline, but whatever, this is one of the best bands on Planet Earth right now, mixing funk and psychedelic rock with Turkish, Anatolian music. We’ve written excitedly about them before. The group
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Being honest, FKA Twigs can be a little frustrating musically BUT it is always interesting, and she definitely means it man, so we shouldn’t let our personal tastes get in the way of the sheer enjoyment of having her around. Anyway, there’s a new track called ‘Eusexua’, co-pro’d by Twigs herself with Koreless and Eartheater.
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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