
Tim Heidecker is something of a renaissance man, although he’d probably rinse you for saying something like that about him. Broadly, he’s known for being a stand-up and comedian, but he’s also prone to making music which while witty, is more sincere so don’t expect him to be doing bits. His ‘Work From Home’ is

It all felt somewhat inevitable that young people would look at the streaming model and wonder why they didn’t have anything to show for their money. Obviously, the convenience of having most of the world’s music in your pocket is a miracle of a thing, but when you look around your room or your house

We were reading about tg.blk over at another site and liked what we heard. Instead of hoarding this information to ourselves, we thought we would share it here, because that’s what good people do. Seriously – stop hoarding music to yourself – nobody wins when you do that. tg.blk have a new six track EP

NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…

The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…

‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…

One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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