The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Keith Haring is rightly having a renaissance these days, even if we’re a smidge worried that a few too many products have been licensed with his work. When he painted, Haring would listen to music and if you’ve ever wondered what he was listening to, wonder no more! The Keith Haring Foundation has compiled the
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Look, we don’t make the rules – but L’Imperatrice are one of the coolest bands on the planet and the fact that they’re French and make a brand of Saint Tropez disco makes them even cooler. So, when they’re dropping an album, you should absolutely prick your ears up. This will be their third LP
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Apologies if you thought this article was about the ace Habibi Funk comps that always tickle the pickle. It’s not, but don’t stop reading! This is a new group called Habibi and they’ve got new stuff out which is fun as shit. There’s a new track called ‘Do You Want Me Now’, and that’s taken
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AI is a thing and an inescapable one at that. It’s been trickled into our lives and it doesn’t look like there’s a great deal anyone can do about it. Now, in manufacturing and science terms, it seems like a genuinely exciting use of this latest flame – but in pop culture, less so. Naturally,
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After starting out in drag (and pretty much seeing it through for his career), Little Richard walked the tightrope of sacred and profane. ‘Tutti Frutti’ was originally about ‘tight booty’, before cleaning it up to be the greatest rock ‘n’ roll song ever recorded. It wasn’t all bangers about anal sex, but the run was
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There’s a lot of great hip hop that never made it to vinyl for whatever reason, so it’s always great when someone reissues one and for the first time in many cases! With that, the always magic Be With have Superstar Quamallah’s ‘Invisible Man’ on the go, to celebrate it’s 15th anniversary. Want to know
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New FREE RANGE radio time! You want the tracklisting so you can read what kind of stuff is on the show before pressing play? Coward! Okay, we’ll play along and give you the goods. Music from all over the world as ever, with new songs and older ones too. On this show, we fawn over
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It’s very interesting that Beyonce has decided to release a country album, in part because it’s a revenge LP after the Country Music Awards committee snubbed her ‘Daddy Issues’ track – hell hath no fury like a wealthy celebrity scorned. It’s also interesting because Beyonce is such a megastar, you have to be curious to
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Nature is fantastic and everyone knows that, but there is a mild reticence when people tell you to reconnect with it, sounding like awful crusties. Sam Lee is probably worried he comes off a bit like that – he pretty much said as much in a recent feature with MOJO – but he needn’t. He
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We hadn’t heard of Parsnip before now, but on the strength of their new single ‘Behold’, we wish we had. Sugary sweet psychedelic music that remembered to write a song in the process? Yes please! We’re not surprised at all to learn that they’re an Australian band, because at the moment, all the great power
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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