The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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L’Impératrice are brilliant and pretty much everything they do is that brand of irresistible, smoother than silk, French disco pop. It brings us great joy to say that the new song they’ve quietly put out is exactly that. Now, there’s not a proper video for it yet – only a lyric video – but it
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Recife is the hidden gem in Brazil’s musical heritage. While Rio and Salvador get all the critical praise, Pernambuco has a wealth of super interesting music, with shape-shifting acid folk, gonzo rock, and now we’re looking toward Amaro Freitas who manages to combine that rural and rugged sound with sophisticated metropolitan goodness to make for
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In more ‘what did you think was gonna happen?’ news, the fallout over SXSW and their ties to the US Army continues and, of course, with SXSW being held in Texas, the Texans are of course acting up. If you stick your head out of the window and keen your ear, you may be able
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Metronomy are back, gang! Now, we will be using the plural here because that’s how you talk about bands, but is Metronomy just Joe Mount really? We’re not wholly sure, so we’ll swerve the whole thing. More important is that there’s a new song to listen to called ‘Nice Town’ and it’s really good. They (?)
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The Indigo Girls are one of those hugely significant bands that mean so much to so many, yet, fly under the radar of most rock press, almost invariably because they’re women, and maybe because they make folk rock. They also happen to be gay, and the male gaze doesn’t stretch that far, clearly. The group
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Not every day is a solid news day, and not every day sees something you want to spend the time reviewing. However, other people are doing good stuff and we feel the need to share that, because we’re not the oracle on everything. With that, the always fantastic Bandsplaining have done a smart video on
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The music industry is sparring with TikTok and the whole thing has the vague whiff of when the music industry had a massive brawl with Napster. Now, of course, the scrap with Napster somehow ended up with Spotify, which isn’t exactly a result for people who make music, but consumers are happy enough. TikTok, for
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Once again, we’re talking about the lousy algorithm. For fear of sounding like horrible old-heads who yearn for the past, we do miss the time when we had every opportunity of listening to the music we wanted to, because we were the people off down the shops and trying before we were buying, and then
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To celebrate Lou Reed’s birthday the other day (he would have been 82), Keef Richards decided to do a cute cover of ‘I’m Waiting For The Man’ by The Velvet Underground. It might all feel a bit unnecessary, but it’s nice all told, eh? Besides, Light In The Attic are putting an album out called
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We’re a day late on this, but that doesn’t diminish the quality of this psychedelic, woman focused mix from Jawa Jones. It also doesn’t diminish the wonderful socialist event that is International Women’s Day. Go read up the day’s origins. And yes, there’s an International Men’s Day. It’s in November. Of course, this mix is
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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