The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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They’ve chirpsed half your mates, given three of them STDs and referred to every single one of their exes as ‘mental’, and they got promoted at the bar they worked at, in part, for coming up with a mildly successful drink, in part because they’re willing to get bags in midweek and split them with
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TikTok are new media, and by and large, record companies are resolutely middle aged. With that, social media and physical media are going to be at loggerheads, and this time, it’s Universal Music who are at it, and they’re going to pull all their music from TikTok in the coming days, after failing to reach
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We’ve all felt that unswerving love for an artist that makes us want to leap to their defence at the mere mention of their name, because you’re bored of everyone slagging them off. Hashing it out down the pub is one of music’s great theatrical events, but thanks to terminally online culture, lines can be
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Caoilfhionn Rose is one of the most original and brilliant voices in modern acid folk, and her newest track ‘Rainfall’ feels like just the tonic for a cure to the wintertime blues. It’s a shimmering, hazy, psychedelic slice of loveliness and, for anyone who has heard her music before, that will come as no surprise
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Not every day is a new day. Sometimes, you just have to accept that, but then remember that there’s things we forgot to mention. Like our latest radio show, which came out recently. It’s not time sensitive, so you can listen to it whenever you like. Great music from all over the world, with an
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Grazia are an indie garage glam punk pop band from London, and they’ve got a stomper out called ‘Cheap’, which tells you everything you need to know about what’s coming when you press play. And it’s great fun! Their debut EP is out in Feb, and that’s called ‘In Poor Taste’ – catching the vibe
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The amount of non-English performers making waves worldwide is incredibly satisfying to see, because frankly, it’s weird to only listen to music you understand the words of. You telling us that everyone could understand the opening verse of ‘Geno’ when it first came out? Behave yourselves. Anyway, let’s have a listen to the new one
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We don’t know what’s in the water down Tampa Bay, but They Hate Change have a new one out that falls squarely in the experimental rap hole, and that’s no bad thing. Don’t worry – it’s listenable and fun – it’s not circuit board screaming gloom. They have a new EP out called ‘Wish You
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What happens when you mix German cosmic prog and Chicago post-rock? Well, you get Dog Unit’s new track called ‘When Do We Start Fighting?’ and it’s sounding really good on first listen! The group hail from London and there’s going to be a new LP in April called ‘At Home’. You can buy music from
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The Gossip are coming back, the Strokes and Yeah Yeah Yeahs rubbed shoulders with LCD Soundsystem on the ‘Meet Me In The Bathroom’ documentary, and it’s all well and good and it’s encouraging to see a load of loud, fun music making a comeback. However, we’re much more interested in a revival of skuzzy, super
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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