The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Just the other day, everyone was sharing their Spotify Wrapped graphics and having a giggle and all that, but things were about to get tremendously serious at Spotify HQ. This week, the streaming behemoth announced that they’d be sacking 17% of their staff. That’s around 1,500 people losing their pay just before Christmas. Pretty brutal.
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We’ve covered Wishy before and they’re back with another little gem. On December 15th, Kevin Krauter and Nina Pitchkites will have a new EP out, and to prep you for this, we can have a listen to new song ‘Spinning’. We like it. Gentle psychedelia. Dream Pop, they call it now. The band say they
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Kiss are no longer real people, and will be forever young as some imaginary thing. See, they’ve announced the ‘end of its physical existence’ because now, they’ll be digital avatars. They’ve copied ABBA obviously, because pop walks so rock can run. Anyway, it all feels a bit weird and this whole scenario is like when
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Kenya Grace apparently had a viral smash, but virality is something that passes us by so we’ll just have to accept what’s been said regarding all that. What we do know, however, is that Kenya’s new single ‘Paris’ is a slice of future pop that we like a whole bunch. Writing, producing and performing her
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Michael Head and The Red Elastic Band are bringing back the jangle, with Ciao Ciao Bambino! Recorded in West Kirby with Bill Ryder-Jones (him again!), Head says: “’Ciao Ciao Bambino’ came to me one night when I was thinking about the first words I ever heard. It was a song called ‘Ciao Ciao Bambino’ that my
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We feature yet another gem from the wonderful My Analog Journal, and this time, we’ve got The Grey Area (or, Ed to his mates) who hosts a great show on Noods Radio and a night called ‘Silencio’. He says of his set: “This mix represents a part of my collection I don’t get to air
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Bill Ryder-Jones – the indie girls fancy him and he writes and produces cool music – he’s got it all hasn’t he? Well, he’s prepping the new LP with some preview singles, and of course, there’s a new one and we’re telling you about it. That’s how it works innit? So what’s the craic? His
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Writing pop music isn’t easy, despite what dopes might say. When you get a slice of baroque, folk-pop, you better not ignore it and we’re super into this new track from def.fo, ‘Autumn Leaves’. If you like some strings with your jangle, get on this. It’s a group that features Tom Powell (Michael Head and
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Now ambient music is back, the good folks over at Light In Attic Records have teamed up with Laurie Anderson and Lou Reed’s Archive custodians to give us a vinyl reissue Lou’s ‘Hudson River Wind Meditations’. It’s not been on record before, and as you’d expect, it’s a real fancy package indeed. Out January 12,
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Some songs, some albums are beatified by rock critics decade-on-decade, and sure, we should doff our cap to cultural impact and massive sales and all that stuff. But honestly, we’re allowed to just be irritated too. There’s loads of stuff that gets rammed down your craw so hard that the sheer ubiquity of the damned
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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