The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Rob from the mighty Be With Records visited Sonoton at their offices in Munich. While there, recorded a super smart library mix which you can hear below. There’s chunky breaks, cinematic gems, synthy bits and all that good stuff that’ll have you scurrying off to Discogs and spending too much money again. Be With are
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If you’ve spent any time in the cool sections of any decent record shop, you’ll know that the Analog Africa crew but out an insanely high quality of LPs and have been doing for ages now. The latest is no exception, with a brilliant comp called Congo Funk! Sound Madness From The Shores Of The
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The Jesus and Mary Chain have a new song out called ‘Girl 71’ and, as you’d hope, it’s a bit garage punk, it’s a bit dead-eyed and seething. However, it’s got a riff, which is a bit unusual for them, eh? Also, it’s a duet with Rachel Conte and it’s going to appear on their
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Rod Stewart has said that the comeback of The Faces is in a bit of a sticky situation because they’re struggling to make new tunes. Keep in mind that he’s gone on record recently as saying he’s a fan of George Ezra, that might be why – no shade to George Ezra there, but he’s
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If you’re into killer fuzz, bug-eyed psychedelic bondage music and a heavy gothic sonic assault on the senses, then you need to get to know Deaf Whip. They have a new single out called ‘Clocking Out’, and they’ve described themselves as “heavy garage four piece with synthesised nods to drone, punk and psychedelia” which slightly
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EarthGang are great – they’re about as psychedelic as hip hop gets in the current climate, mixing elastic funk with future trap, and generally, they’re making people who yearn for the times of Missy and OutKast very happy indeed. ‘Mirrorland’ is one of the great modern hip hop LPs and they’ve been releasing stuff since
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Arguably the best group to come from the Indie Sleaze period are Brazil’s CSS, who managed to manage their spontaneity with fabulous grooves and playfulness. For the first time in over a decade, they’re going to be doing a European tour called ‘It’s Been A Number Of Years’, which it has! Remember how good ‘Off
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SZA is a unique little soul and there’s usually a lot of excitement when she springs music on everyone. With that, there’s new music from her on the back of a bunch of wins at the Grammys. She teased a new song during a Mastercard commercial (get paid, we guess) and now she’s put it
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Oh, the fractured and chequered history of the mighty Sugababes. There’s been six members, and you could only really argue that four of them really count, and the puritans, three. Obviously, the holy trinity are Mutya, Keisha and Siobhàn, but Heidi’s tenure involves some of the group’s most iconic moments, even if deep in our
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BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super
STOP HOARDING TUNES
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DAS KOOLIES, MAGNIFICO!
Das Koolies – the band that are Super Furry Animals without Gruff – have more acid fried music out! It’s a mixture of Furry psych and acid house (so both kinds of acid then!) and is called ‘Som Bom Magnifico’ and will feature on the new LP, ‘Pando’, which is out in May. Go. Press…
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JAMIE XX + ERYKAH BADU
Jamie XX has teamed up with Erykah Badu for a day-glo chugger that sounds like it’ll be a staple in the festival sets this summer. Jamie says: “A few years ago, I was playing at a Primavera afterparty in Barcelona with Erykah Badu. The decks stopped working and she just freestyled this incredible acapella performance,…
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SO LONG, MARIANNE
She seemed to live a hundred lives at the same time, and honestly, it seems bizarre that us mere mortals were looking at the same sky she was. Marianne Faithfull – a complete one-off – has left us and we’re all the poorer for it. And where to start? For over six decades, she’s been…
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GIVING TATYANA WHAT SHE’S OWED / IT’S SO OVER
When dance music works best, it’s straddles the line between sleazy, wrecking your shoes, drunk cigs and gritty, and impossibly glamorous and shimmering with fantasy. It worked for disco, it worked for the pop-house boom in the early ’90s, and it’s worked for just about anything to shake your backside with on the weekend. Dance…
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